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Thread started 27 Feb 2009 (Friday) 22:12
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Post Your Favorite "Off Camera Hot Shoe Flash" Shots

 
zackh
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Jul 02, 2009 17:11 |  #1546

enginyr wrote in post #8181481 (external link)
QUOTED IMAGE

Can you please share your lighting set up here. Love the effect.


ID Mark III, 24-70 L 2.8, 24-105 F4 L IS, 70-200 F2.8 L IS, 50 1.4 580 EX II

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zackh
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Jul 02, 2009 17:17 |  #1547

GenuineRolla wrote in post #8157106 (external link)
Here's the set up shot from yesterday's shoot, if anyone is interested.

QUOTED IMAGE

I really love your setup. Can you share with me your lighting gear please. I see an octabox, soft box and a beauty dish. Can you please give the specifics on these and how you are triggering these, also are these on external battery packs?

My questions if sound stupid, please enlighten me.

Really appreciate your time and thank you!

zack


ID Mark III, 24-70 L 2.8, 24-105 F4 L IS, 70-200 F2.8 L IS, 50 1.4 580 EX II

Zed Photography (external link)

  
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heymirth
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Jul 03, 2009 07:18 as a reply to  @ zackh's post |  #1548

HELP!

So I've done a ton of reading on the high speed sync, I have a set of Cybesyncs BUT my Canon 350D has a max sync of 1/250.

I want to expose for the sky and add a 580ex off camera, but when I trigger it using the cybersync i get a black band along the bottom. I understand what the black band is from but my question is:

If most cameras max sync is 1/250-1/500 then how can you go anywhere above 1/250th with off camera trigger systems? Do I NEED at least 2 EX Flash units?

thanks


Canon 5d MarkII , Canon 5D Classic, Canon 30D, 70-200L F2.8 IS, 50 f1.4; 28-135 f3.5-5.6; 85mm 1.8; 28mm F1.8, (2) 580EX; 430EX, Assorted Strobist Gear; Novatron 240 Kit; Radio Popper Jrx, Cybersyncs
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FullStop ­ Photography
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Jul 03, 2009 11:39 |  #1549

heymirth wrote in post #8217194 (external link)
HELP!

So I've done a ton of reading on the high speed sync, I have a set of Cybesyncs BUT my Canon 350D has a max sync of 1/250.

I want to expose for the sky and add a 580ex off camera, but when I trigger it using the cybersync i get a black band along the bottom. I understand what the black band is from but my question is:

If most cameras max sync is 1/250-1/500 then how can you go anywhere above 1/250th with off camera trigger systems? Do I NEED at least 2 EX Flash units?

thanks

The simple answer is yes, you do: your 580 EX II to act as a master, and then slave, e.g., a 430 EX II or another 580 EX II. Alternatively you could get a ST-E2 to act as the wireless trigger for your 580, but for the same cost you could get the 430 and have another flash. Lastly, if you want to use radio triggers, Cybersyncs will not work (as you found out) but Radio Poppers or the new Pocket Wizards will (see this post).

Check out this video (external link) for a nice demonstration of HSS with Canon EX units. If you have other questions, the experts in the Small Flash and Studio Lighting forum will surely know the answers.


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ride5000
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Jul 03, 2009 14:34 |  #1550

IMAGE: http://farm4.static.flickr.com/3071/2993466216_853f3de164.jpg
IMAGE LINK: http://www.flickr.com …s/ken-gilbert/2993466216/  (external link)

IMAGE: http://farm4.static.flickr.com/3168/2865049779_7f181357de.jpg
IMAGE LINK: http://www.flickr.com …s/ken-gilbert/2865049779/  (external link)

IMAGE: http://farm4.static.flickr.com/3340/3640377267_8e25fa9283.jpg
IMAGE LINK: http://www.flickr.com …s/ken-gilbert/3640377267/  (external link)

IMAGE: http://farm4.static.flickr.com/3228/2995227746_9dcc6b0a7e.jpg
IMAGE LINK: http://www.flickr.com …s/ken-gilbert/2995227746/  (external link)

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5dc w/ee-s, rokinon 85mm f/1.4, rokinon 35mm f/1.4, rokinon 8mm f/3.5, sigma 24 f/1.8, canon 35-135 f/3.5-4.5, canon 50mm f/1.8, nikkor s-auto 50mm f/1.4, tokina 11-16 f/2.8, 430ex2, pcb e640, oc-3, st-e2, pixel knight tr332, DiCAPac WPS10, b+w 10 stop nd, hoya hd cpl, kenko ext. tubes, brolly, diy softbox, etc.

  
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zackh
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Jul 03, 2009 15:27 |  #1551

Love this shot, very editorial. Maybe crop some of the empty space on the top.

Great job.

Zack


ID Mark III, 24-70 L 2.8, 24-105 F4 L IS, 70-200 F2.8 L IS, 50 1.4 580 EX II

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phamster
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Jul 03, 2009 15:33 |  #1552

zackh wrote in post #8219052 (external link)
Love this shot, very editorial. Maybe crop some of the empty space on the top.

Great job.

Zack

totally agree with zack.. the shot is lovely.. the space above is good if you want to font it with designs..

i always shoot wide to give you that option..

good work..

now this image probably shouldn't be here? any objections with a photo with 4 lights on the subject?

3 speed lights and one alien bee..

making a poster.. part 1 of 5 here..

IMAGE: http://i43.tinypic.com/2qvxszm.jpg

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zackh
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Jul 03, 2009 22:07 |  #1553

phamster wrote in post #8219087 (external link)
totally agree with zack.. the shot is lovely.. the space above is good if you want to font it with designs..

i always shoot wide to give you that option..

good work..

now this image probably shouldn't be here? any objections with a photo with 4 lights on the subject?

3 speed lights and one alien bee..

making a poster.. part 1 of 5 here..

I dont see a reason, why not.

You are going all out with the strobes....I need to add additional lights to my gear. Great work.


ID Mark III, 24-70 L 2.8, 24-105 F4 L IS, 70-200 F2.8 L IS, 50 1.4 580 EX II

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GenuineRolla
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Jul 04, 2009 01:00 |  #1554

IMAGE: http://farm3.static.flickr.com/2445/3686527482_49e43620a2_b.jpg

IMAGE: http://farm3.static.flickr.com/2451/3686509516_ab26cf0bae_b.jpg

flickr (external link) | 40/60 Photo (external link) | Petey Photography (external link)| Canon 5D + 17-40mm f/4L + 50mm f/1.4 | 3x Alien Bee B800 | shuttrr.com (external link) - are you in?

  
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enginyr
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Jul 04, 2009 02:13 |  #1555

zackh wrote in post #8214141 (external link)
Can you please share your lighting set up here. Love the effect.


The trick to this shot is two speedlights. one left and one right. The flash on the right is up high and pointing down at a 45 degree and diffused with a 24 x 24 softbox. The one on the left is far to the left and shot thru a ridiculously large diffuser. I think it is 60 x 40". Ratio is 8:1 8 being left and 1 being the right. Black background of course and 200 sync at iso 200


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phamster
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Jul 04, 2009 07:30 |  #1556

enginyr wrote in post #8221359 (external link)
The trick to this shot is two speedlights. one left and one right. The flash on the right is up high and pointing down at a 45 degree and diffused with a 24 x 24 softbox. The one on the left is far to the left and shot thru a ridiculously large diffuser. I think it is 60 x 40". Ratio is 8:1 8 being left and 1 being the right. Black background of course and 200 sync at iso 200

i think i commented on this photo before.. it is a great shot.. and the model is ridiculously attractive.. and i am not talking about the cute dog.. ha ha..

@ Peter

i like the second one.. and maybe the first one if it was PPed diffferently.. right now the colors don't grab me. but that is just me..:o

phamster


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GenuineRolla
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Jul 04, 2009 11:20 |  #1557

zackh wrote in post #8214178 (external link)
I really love your setup. Can you share with me your lighting gear please. I see an octabox, soft box and a beauty dish. Can you please give the specifics on these and how you are triggering these, also are these on external battery packs?

My questions if sound stupid, please enlighten me.

Really appreciate your time and thank you!

zack

Hey Zack

Here's what I did.

I used the beauty dish as key because it wasn't as heavy and I can get it up a bit higher than the octabox. I wanted it high so that the light would evenly cover the group.

Then, I chose to have the octabox and softbox as rims because not only did I want minimal shadows, but I also wanted the light to light up the surrounding elements/background.

I triggered them using cybersyncs and the Paul C. Buff Vagabond II to power the lights


flickr (external link) | 40/60 Photo (external link) | Petey Photography (external link)| Canon 5D + 17-40mm f/4L + 50mm f/1.4 | 3x Alien Bee B800 | shuttrr.com (external link) - are you in?

  
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zackh
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Jul 04, 2009 13:57 |  #1558

enginyr wrote in post #8221359 (external link)
The trick to this shot is two speedlights. one left and one right. The flash on the right is up high and pointing down at a 45 degree and diffused with a 24 x 24 softbox. The one on the left is far to the left and shot thru a ridiculously large diffuser. I think it is 60 x 40". Ratio is 8:1 8 being left and 1 being the right. Black background of course and 200 sync at iso 200

How did you trigger these two speedlights? The right being inside a soft box.


ID Mark III, 24-70 L 2.8, 24-105 F4 L IS, 70-200 F2.8 L IS, 50 1.4 580 EX II

Zed Photography (external link)

  
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zackh
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Jul 04, 2009 13:59 |  #1559

GenuineRolla wrote in post #8222587 (external link)
Hey Zack

Here's what I did.

I used the beauty dish as key because it wasn't as heavy and I can get it up a bit higher than the octabox. I wanted it high so that the light would evenly cover the group.

Then, I chose to have the octabox and softbox as rims because not only did I want minimal shadows, but I also wanted the light to light up the surrounding elements/background.

I triggered them using cybersyncs and the Paul C. Buff Vagabond II to power the lights

Thank you so much for taking time to respond. I follow your work, I have been asked to shoot an upcoming rap artist and need all teh inspiration and ideas I can find.

Keep shooting.


ID Mark III, 24-70 L 2.8, 24-105 F4 L IS, 70-200 F2.8 L IS, 50 1.4 580 EX II

Zed Photography (external link)

  
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enginyr
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Jul 04, 2009 14:00 |  #1560

I used 3 speedlights. 550ex on camera but disabled using it as a master. Then on the left was the 430ex and right 550ex2. Triggering was thru the canon infra red ttl system.


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