mbellot wrote in post #8189223
Should I do the conversion first, FlexNR and then correct the exposure or would I be better off correcting the exposure and then treating the image as an intermediate ISO below the actual shot at ISO?
...Since I am in a position where I have to be conservative and careful when suggesting general-practices, I can certainly suggest you to do what I am doing to get all these results:
1. Correct the image RIGHT in the supported converter of v1.3 (LR, ZB/RIT or .JPG)
2. Process your file with FlexNR's level equivalent to resulting ISo from conversion (in this case ISO2500).
Please, consider adhering to a cohesive set of principles, consistently, for your workflow.
Try to perform ALL Tonal/Chroma adjustments, of all kinds, first, then leave NR to the end, and, after everything is said and done, use Sharpening selectively on the areas that truly deserve it, with a radius of 0.5 to 0.7 (if processed with FlexNR). This is the very same principle I used to process the Sevan's hawk, above.
You can certainly resort to some "boosters", such as increasing Chroma NR to 8-10 in ACR/LR (as Drisley does), prior to entering any other Tonal/Chroma adjustments off-board the converter, or simply right before FlexNR... But try to start from a consistent baseline process, which you can later modify or adapt if you need so, on a case-by-case or general basis.
PIX