sanjeedbd wrote in post #9226861
Great discussion and learning thread really. I started shooting RAW and processing in Lightroom very recently and needless to say; the results are amazing. There are some shots that simply couldn't be dreamed of previously when I used to shoot in jpeg and processed in photoshop. However, I am yet to figure out how to inject real life into water and sky. May be it's a basic question but may not be very stupid by a beginner. Would be nice if u could kindly assist. Thanks in advance.
In LightRoom, there are a couple of things that I like to do with skies (don't play with water a lot, but I think that the same would apply) -
- Clarity - I think of this as a 'local' contrast control - it enhances... well, adjacent light/dark transitions, as opposed to global light/dark transitions.
- Hue/Saturation/Luminance - play around with the blue channel to make the skies more dramatic .
As with most adjustments, judicious application is called for, and each individual has different tolerances. For me, I've seen, with mine own eyes, superblue skies, so I'm okay with that type of enhancement in photos... but halos are always a no-no, as far as I'm concerned. Here's what I'm talking about -
These are with varying clarity adjustments, 0, +30, +100, from first to last. I didn't bother with adjusting the blues - the sky could use
a little bump, but that's for another post. (Click for larger)
IMAGE LINK: http://farm3.static.flickr.com …97374644_95ffb9f339_o.jpg
IMAGE LINK: http://farm3.static.flickr.com …96620453_bc4d818e96_o.jpg
IMAGE LINK: http://farm3.static.flickr.com …97374782_9d1ba5fc49_o.jpg
So, the sky looks almost gauzy in the first, the original. The second one is what I ended up with for a final - one thing to note is that haloing is a little more noticeable at small sizes like the embedded photos; a
small bit can be seen, here - at my intended output resolution of 1024 pixels, none can be discerned. The third, at +100 is just over the top, but something I've seen too regularly - those dark blue halos around those white cloud peaks drives me nuts...
One other thing to keep in mind - look at the effect of your adjustment
on the whole frame - many times, people are making an adjustment for a specific part of the image (and that part looks great!), but they fail to notice that it's over the top on another part of the image. For instance - adjusting the blue H/S/L to get the color skies that you want... and not seeing that some guy's blue jeans went supernova on the bottom half of the pic. To get around this problem, I'm a big fan of local adjustments and I find the Graduated Filter tool to be really useful - it gives me a nice balance of control and speed of work flow.