tim wrote in post #7895757
Do you really want to spoil any atmosphere there is by lighting it up like it's daytime?
Yes and no.
As a learning photographer shooting this event in the same room four times I've calculated pretty well where I'd like to go with my gear/potential gear. Honestly, no, I'd rather not light the place up like daylight.*
However, the video guy does want too. I consider this a plus because it will give me the opportunity to both click like a banshee flash free, and switch on some flash at moments here and there.
The bottom line is, while I look forward to beating the ambient light by adding a 580EX to master/slave my 430EX, the powers that be dictate some bright room light. My real question is whether to get smart on using a few big/pro/expensive continuous lights (and if so, how?) or simply shower the place with 'conventional' lighting. It's really more a video question than a photo question, but I do appreciate input from a photo perspective.
*For reference, I shot the last event flash free with a 24-70L Av mode wide open at f/2.8, ISO 800 and the SS was coming in at 1/60 to 1/320.
I learned that I need the aperture at least to f/4 for DOF on 2 dancers who are often oriented near/far, not always side by side. SS 1/125 is the minimum I can tolerate for dancers. Ignoring the subject matter, my ideal would be to evenly light the room for f/4-f/5.6, 1/200, and ISO 400. From that baseline I could concentrate on framing and turning the flashes on for highlights at opportune moments. Hopefully the video would be sufficiently lit there too.