BluewookieJim wrote in post #7987836
Got ahold of some black velvet background, big enough for some head/shoulders shots today.
Camera settings were ISO 800, F/11, 1/250, flash WB.
My canon 580exII was camera left, aboiut 75 degrees, a few inches above eye level, about 2 feet from subject position. Manual flash settings, 14mm (diffuser down) 1/8 (-.3) power. Flash triggered via Cactus v4.
Here is the resulting self-portraits, and the modifier(s) used.
Shoot-through umbrella:
Bare Flash:
1/4 Honl Speedgrid:
1/8 Honl Speedgrid:
BluewookieJim - you can absolutely see how the shoot-thru brolly softens the light compared to the bare flash. It looks to me like the 1/8 Speedgrid has a faster fall off of the light, mostly on your face, when compared to the 1/4? Nice examples!
c2thew wrote in post #7988619
did you set her pose or did she naturally take that position? it works very well for her
c2thew - I'd like to claim that I posed her that well but I had nothing to do with it. She just sits/stands and starts posing kinda naturally.
ebann wrote in post #7989663
Interesting tutorial

A: I wonder how the hair rim light would look like if shot from the back (slightly to the left).
B: I wonder what it would look like if the 580 was used with a shoot-thru umbrella causing light spills and if that would help light up the shadows on her left side.
ebann - here is another example of trying (somewhat successfully) to place the hairlight with a little better precision. It's not great, but it was placed higher than her head and angled down as in your suggestion. To Wilt's point, he's right of course. I just blindly placed it behind her, kind of eyeballing where I thought it would "show", and snooted it to control the flare coming back toward the camera. Clearly it lit the right side of her face as well. To paraphrase what McNally says in his book Hotshoe Diaries, when you set one of these suckers off, light goes everywhere.
If you look at BluewookieJim's example with the shoot-thru brolly, you can see that even with the spill it doesn't lighten up the other side of his face.
Wilt wrote in post #7990436
Nice examples. The precision of the placement of the hairlight would benefit if there was a constant source output (incandescent modelling light) to let you see its placement effect immediately...your blindly positioned hairlight, while providing some benefit for revealing the hair against the black background, falls onto your daughter's right side of her face and illuminates it -- which a hair light should not do...illuminating skin!
The series demonstrates the most significant flaw to learning lighting with the Strobist approach (speedlights), and the reliance on trial and error setup.
Wilt - Right on! That's why I'm looking at getting a light meter and a couple of studio strobes (w/ modeling lights of course) so I can learn to light in a more classical way. I really like the Strobist sight, and I think I can safely say that David Hobie made me want to learn to use OCF to make my pictures more interesting. Having said that, I shoot every week, but not every day. So my best pics that are lit with OCF tend to be "happy accidents" or required me to shoot 60-80 pics to get 1 or 2 or 3 that I really like. My goal for this summer is to get a couple of studio strobes and a light meter and attend a lighting workshop taught by a pro.
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