alt4852 wrote in post #8363207
no. what you're saying is misleading because people can be led to believe that higher ISO has no consequence, when in fact it does.
No. I think people are perfectly capable of understanding the truth about what causes noise.
No, underexposure will create more noise.
alt4852 wrote in post #8363207
the proof is easy to demonstrate. take two frames with the same exposure. let's say:
- 1/25s f/2.8 ISO200
and
- 1/25s f/8 ISO1600
Those are most definitely *not* the same exposure. They only have the same brightness ("apparent" exposure).
I think we may have stumbled on the reason why so many people are getting confused. When I used the term "exposure", I was referring to the real and correct definition of the word. Unfortunately, most POTN members are not aware of the difference. Therefore, I need a new word to take the place of "the concept formerly known as exposure".
Any suggestions? How about "light intensity", meaning "the intensity of light falling on the sensor". I think that's similar enough to the true definition of "exposure", so I'm going to go with that until I hear a better suggestion.
FWIW, I think using made up terms like "light intensity" is a *lot* more confusing that just learning and teaching the correct terms, but I'm willing to adapt if you guys don't want to start using the correct terms.
[EDIT: "light intensity" is a very poor synonym for exposure because it only works when shutter speed is kept the same. Sorry for suggesting it. I should have gone with "total light per area".]
To be clear, here are the definitions:
- Exposure (true definition): Intensity of light falling on the sensor. [EDIT: correction: total light per area falling on the sensor.]
- Exposure (as misunderstood by most photographers): Brightness of the image on the LCD.
- Light intensity: Made up term as an alias for the true definition of "exposure", since too few people know the true definition.
You can go back to all my previous posts in this thread and re-read them and mentally replace "exposure" with "light intensity" and "underexposure" with "reduced light intensity".
EDIT: Instead, replace "exposure" with "total light per area" and "underexposure" with "less total light per area". I'm going to adjust this post to avoid confusion.alt4852 wrote in post #8363207
if the exposure is the same, the higher ISO frame will have more noise.
If brightness is the same, the higher ISO frame will have more noise, that is correct. If you go back and re-read the post and transpose "Exposure" with its true definition ([EDIT:"total light per area"]), you will see that what I said is correct: when the light intensity is the same, the higher ISO frame will have *less* noise.
What you showed is that a lower light intensity causes more noise (f/8 is a lower intensity than f/2.8 )
CyberDyneSystems wrote in post #8363240
IMHO Daniel has a good point, but his wording of it, especially in the first post, was poorly chosen.
Aside from using the word exposure correctly, which caused a lot of confusion, I think I did OK. Next time I will use "light intensity" and include a footnote explaining why I'm avoiding the word "exposure".
I really did try to make an effort to show the difference between the "normal" paradigm and the correct paradigm.
I think the reason it's hard to understand is because it's a huge paradigm shift. It's hard to accept that the way you understood things for all these years is fundamentally backwards. (It was for me when I first found out that high ISO reduced noise.)
CyberDyneSystems wrote in post #8363240
Likely trying to get more discussion.
Not at all, I promise. I'm trying to put it as clearly as I can.
CyberDyneSystems wrote in post #8363240
I'm going to put it another way, not necessarily exactly as Daniel meant, but ...
1. Boosting ISO can increase noise.
That is demonstrably false. Compare:
* 1/125 f/2.8 ISO 100
* 1/125 f/2.8 ISO 1600
The ISO 1600 has much less noise. Of course it has four stops of blown highlights compared to the ISO 100 shot, and that's why no one would shoot ISO 1600 unless they were willing to trade four stops of highlight headroom.
CyberDyneSystems wrote in post #8363240
4. Conclusion: Therefore it is better to push ISO high enough to prevent underexposure,
OK, here what you mean is "it is better to push ISO high enough to prevent a dark image". That's correct. It's the essense of "ITTR": ISO To The Right.
CyberDyneSystems wrote in post #8363240
than to shoot with the next lowest ISO settings which may create under exposure noise, and thus even MORE noise.
You mean "brightness" instead of exposure. If we make that correction:
CyberDyneSystems wrote in post #8363240
than to shoot with the next lowest ISO settings which may create [dark image] noise, and thus even MORE noise.
That's correct. Here is another way to do it:
Using one stop lower ISO setting will result in an image that is 1 stop darker. Noise will only be *slightly* more.
Using one stop lower light intensity will result in image that is 1 stop darker. Noise will be *much* more.
CyberDyneSystems wrote in post #8363240
Now the funny part is we have also had long debates over whether it is true or not if shooting underexposed actually adds more noise,...
For Canon cameras from ISO 100 to 1600, it's a fact. The only thing one can say is that if the image is not brightened in post, one will not *see* the increase in noise (it's still there, though).
stsva wrote in post #8363275
Are you saying that, all other things being equal, a 50D will have lower absolute (not relative) noise levels at a higher ISO than a lower ISO?
In photo-electron-equivalents, read noise at ISO 100 is 13.8 electrons, but only 2.6 electrons at ISO 1600.