Hoppy1 wrote in post #15836882
That doesn't explain why it was configured like that, and why the opportunity of radio to revise it with the RT system was passed over when third-party brands can do remote second-curtain sync with no problems.
But the third party devices supply the remote flash with a hot shoe to connect to, and then forward (some of) the connections in the hot shoe to the flash. Then 2nd curtain is possible.
It would also indeed have been possible for Canon to make it possible with the new radio control in their 600 EX-RT, or by having some sort of recover procedure for the optically controlled slaves, should they lock up in waiting for a trigger flash which turned out never to occur, and thus not being able to properly respond to the next command flash.
alunh wrote in post #15836945
Agreed. Perhaps I should have added the word "compatible" ? i.e. The 550 EX is ETTL compatible and not ETTL-II compatible.
No. The 550 EX is E-TTL, and therefore also E-TTL II compatible, since the difference is within the camera body, not in the flash.
Thanks for the insight into how the protocol works though, Anders. I'm intrigued to know where you found out that info. Is it in the public domain or from workshop manuals perhaps?
From Canon's more detailed descriptions of how their slave flash system works.
I'd be very interested in what feedback the camera needs from the flash in order to "think" there is an ETTL compatible flash connected. Perhaps I could then fool the camera into giving me 2nd curtain sync when i wanted it.
But it already does, when you have the flash on the camera. And if you use Canon's optical slave control system, it's not technically possible, since the slaves will not respond to any 2nd curtain sync.
1. all EOS bodies are 'capable' of sending a signal to fire just before the second curtain. But Canon in their infinite wisdom have decided that we as photographers don't want that second curtain sync signal UNLESS there is an ETTL or ETTL-II compatible flash mounted to the camera hot shoe, NOT in slave OR master mode.
A slave flash can never sit on the hot shoe. Slave mode will be cancelled automatically. The camera can trigger on 2nd curtain regardless of whether there's a flash or not in the hot shoe, but the slaves can't receive such a signal. Thus you aren't allowed to select it when you have a master flash on the camera. Cameras where 2nd curtain is set through a custom function can fire any flash with 2nd curtain sync.
2. I dont want 2nd curtain sync when using the flash in ETTL mode. I want it in manual mode. No preflash, no flash metering, nothing. All I want the camera to do is open the shutter, expose and image, tell me its about to close the shutter and then close it. I can do the rest.
Fine, that works too, as long as the flash is on the camera.
The fact that Canon can't make their ETTL-II protocol work for grouped slave flashes with 2nd curtain sync really doesn't bother me. The fact that I can't have that 2nd curtain sync for off camera flash REALLY DOES bother me.
But it's the same thing. Canon's optical remote control works in the same way regardless of whether you use E-TTL or manual flash settings. Just remove items 1, 2 and 3 in my list above, and you have the control sequence for a manual remote flash setup.
Especially since (with the 550 attached to either camera) I can turn off ETTL on the flash and still get 2nd curtain sync in manual mode. I can then use that flash to trigger my other flashes...
Yes, because then you don't use Canon's master-slave protocol, but use the slaves in normal mode. Having an external trigger firing them like that is no problem.
...but oh look! Ive got a big bright light making thing on axis with my lens.... just where i don't want it.

You can't aim it elsewhere, or just reduce the power to a minimum required to trigger your slave triggers?
Personally, i tend to only make use of ETTL for flash control when I'm not in full control of the scene. When I am in full control of the scene, I want to also be in full control of the lighting. I don't want some algorithm inside the camera designed by an engineer twelve thousand miles away in Osaka back in 2003 to decide my key, fill and kicker ratios.
Since he's 7500 km away, he's hardly turning your knobs for you.