Using MULTIPLE strobes - creative examples - post yours!

nice yagit.. you do shoot a lot of shoes...

but same with me.. i shoot alot of seniors

Nina Senior ~ the Ballerina Toes

continuation of Nina's Ballerina Series. I have never ever worked with a Ballerina so this is very fresh for me.

the lighting is a 2 light shot.

1. Quadra for the key lighting
2. AB1600 with 86 PLM for with a yellow Gell for the floor lighting

CameraCanon EOS 5D Mark II
Exposure0.01 sec (1/100)
Aperturef/2.2
Focal Length85 mm
ISO Speed100
Exposure Bias0 EV
FlashOff, Did not fire

IMAGE LINK: http://www.flickr.com/​photos/-phamster-/5211117929/

^^^The shadows of her legs really make this photo, don't get me wrong the entire photo is great, I just really like the shadows because it gives the photo depth

Me, too. I like the way the shadows and the legs help illustrate the DOF. With a crop, this could be an illustration for a dance troupe's new season, for example....

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Sweet Melissa

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dave63 wrote in post #11353072
Me, too. I like the way the shadows and the legs help illustrate the DOF. With a crop, this could be an illustration for a dance troupe's new season, for example....

http://daveeverhart.co​m/canonforum/phamedit.​jpg

The shadow isn't getting blurred because of DOF, if that what you were implying. The farther the shadow is from the object that cast it, the more fuzzy it becomes.

Take a look at the planks on the floor where the shadow is. They're not really blurred out are they?

johnbergsing: that skin, those eyes, aren't human. Have you considered the possibility that Melissa is one of the advanced beings from outside the galaxy that walk the earth to observe our progress and push us in the right direction every now and then?

PacAce wrote in post #11353107
The shadow isn't getting blurred because of DOF, if that what you were implying. The farther the shadow is from the object that cast it, the more fuzzy it becomes.

ummm....yeah. No s**t.

Wasn't implying anything of the sort, really.


Nevermind.

dave63 wrote in post #11353127
ummm....yeah. No s**t.

Wasn't implying anything of the sort, really.


Nevermind.

Sorry if I misunderstood your post. It would be helpful, then, if you could clarify what you meant instead of dismissing it with a "nevermind".

dave63 wrote in post #11353116
johnbergsing: that skin, those eyes, aren't human. Have you considered the possibility that Melissa is one of the advanced beings from outside the galaxy that walk the earth to observe our progress and push us in the right direction every now and then?

LMAO! Yeah, she has INCREDIBLE skin and those eyes ... oh those eyes! I gotta set up another shoot with her again soon!

phamster wrote in post #11352906
Nina Senior ~ the Ballerina Toes

continuation of Nina's Ballerina Series. I have never ever worked with a Ballerina so this is very fresh for me.

the lighting is a 2 light shot.

1. Quadra for the key lighting
2. AB1600 with 86 PLM for with a yellow Gell for the floor lighting

Cool shot Pham! Where is the the PLM located? Did you take it out in post or is there a second story balcony up above in the back?

PhilF wrote in post #11353373

Beautiful!

Those lips

Ok so I am embarrassed to even upload these, I should probably stop typing right now but I guess I will proceed. This was a crude set up in my garage two lights on the floor at camera right and left and one shop light (aluminum dome one) with a diffuser covering them all. Feel free to rip them apart but please make it a learning experience for me.