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FORUMS General Gear Talk Flash and Studio Lighting 
Thread started 05 Oct 2009 (Monday) 19:04
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Gary Fong Lightsphere II cloud or clear???

 
     
Oct 05, 2009 23:47 |  #16

tim wrote in post #8768113 (external link)
Skip it, buy a book on lighting instead.

It's it funny how Curtis, Dave, Wilt, and I are all saying pretty much the same thing? :)

Hey what about me??...I was the first one that told him not to get one. :p


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Oct 06, 2009 00:03 |  #17

Geek Chic Photography wrote in post #8768788 (external link)
Hey what about me??...I was the first one that told him not to get one. :p

Your name takes too long to type :p


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Oct 06, 2009 00:14 |  #18

I just use an empty milk gallon container, does wonders.:rolleyes:


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Oct 06, 2009 00:27 |  #19

Flip a coin. Heads for cloudy, tails for clear. If you don't have a coin then don't by either.


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jorl
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Oct 06, 2009 00:43 |  #20

thanks for all the reply's everyone, i appreciate it. sounds like its not something to bother with. I don't like direct flash period, always bounce flash anyways, but i wasnt sure if these things did anything really any better. sounds like not.

sounds like its a waste of money. i think i'll pass.

thanks for the guidance people.

Joel


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Oct 06, 2009 08:52 |  #21

jorl wrote in post #8769034 (external link)
thanks for all the reply's everyone, i appreciate it. sounds like its not something to bother with. I don't like direct flash period, always bounce flash anyways, but i wasnt sure if these things did anything really any better. sounds like not.

sounds like its a waste of money. i think i'll pass.

thanks for the guidance people.


Joel

They are not valueless, they do work -- under the right circumstances. The trouble is that they are like snake oil in many users' minds, fixing lighting under all circumstances and perched on the flash even when they are actually counterproductive! We were trying to set expectations correctly, and also let you know that there are much less expensive ways to achieve the same results as spending $50 on these overpriced kitchen goods.


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Oct 06, 2009 11:57 as a reply to  @ post 8768659 |  #22

Why use the Fongs on an off camera cord anyway, they are made to stay on the hotshoe.




  
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Oct 06, 2009 11:59 |  #23

Shooting wrote in post #8771556 (external link)
Why use the Fongs on an off camera cord anyway, they are made to stay on the hotshoe.

I used it on a bracket. It still caused side shadows in vertical orientation if I didnt.




  
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Oct 06, 2009 17:19 |  #24

Shooting wrote in post #8771556 (external link)
Why use the Fongs on an off camera cord anyway, they are made to stay on the hotshoe.

you use off cam cord when you have it on a bracket. Weddings and events photographers use it this way.


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Oct 06, 2009 19:11 |  #25

jeromego wrote in post #8773268 (external link)
you use off cam cord when you have it on a bracket. Weddings and events photographers use it this way.

That's true....thanks for the correction.

The below link shows how NOT to use a lightsphere inside...inside it is supposed to be pointed up, not at the person..

Keep watching and you will see it.

http://www.youtube.com​/watch?v=IrLO-cp2IOc (external link)




  
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Oct 06, 2009 20:17 |  #26

Shooting wrote in post #8773932 (external link)
That's true....thanks for the correction.

The below link shows how NOT to use a lightsphere inside...inside it is supposed to be pointed up, not at the person..

Keep watching and you will see it.

http://www.youtube.com​/watch?v=IrLO-cp2IOc (external link)


Of course thats how you use it, but still doesnt make it very good.




  
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Oct 06, 2009 20:36 |  #27

Great. I just picked up a 550EX flash in Beijing (I hate small flash) and ordered a GFL from learning about it here. It's in Chicago waiting for me; now how to throw it away without the wife knowing I wasted the money. I havent used a hot-shoe flash since Vivitar 283 days, always bouncing off some wall or cieling. So this is crap, eh?


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Oct 06, 2009 20:38 |  #28

mcluckie wrote in post #8774351 (external link)
Great. I just picked up a 550EX flash in Beijing (I hate small flash) and ordered a GFL from learning about it here. It's in Chicago waiting for me; now how to throw it away without the wife knowing I wasted the money. I havent used a hot-shoe flash since Vivitar 283 days, always bouncing off some wall or cieling. So this is crap, eh?

Not 'crap', it does work in the right circumstances. Just an overpriced bit of snake oil sold by a premier snake oil salesman, using some questionable illustrations of the 'value' of the product to lure customers.


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Oct 06, 2009 20:50 |  #29

Titus213 wrote in post #8767983 (external link)
Best bet - get a Lumiquest ProMax System and a good bracket.

I agree. Take a look at Custom Brackets, especially if you use a grip on your camera.


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Oct 06, 2009 21:12 |  #30
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Wilt wrote in post #8774364 (external link)
Not 'crap', it does work in the right circumstances. ...

As Wilt has said, it does work in the right circumstances. If you were taking photos at an outdoor evening/night reception (where there's no ceiling to bounce) and you wanted to reduce the harsh lighting from direct "in-your-face" flash, most translucent flash modifiers will help. But like I said before, the LS is annoyingly BIG.


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