I finally got around to doing the analysis on the test shots I did with my 7D and 20D when it arrived and thought others may be interested.
I'll just post the results discussion and conclusion plus the principle noise graphs. More details and the 100% crops can found at the test report page by clicking here
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For a meaningful comparison it is necessary to compare noise and sharpness and try and keep one parameter nearly equivalent. This test is designed to check both.
The EF 100mm f2.8 macro USM lens at f8 was used in all cases. All 7D exposures have the same focus setting as do all the 20D exposures.
Two sets of results are produced, No Noise Reduction where the sliders for luminance and chrominance noise reduction and DPP sharpening are set to zero.
The second set Default Noise Reduction, uses the DPP default luminance and chrominance noise reduction settings but still sets the DPP sharpening to zero.
The 20D RAW, 7D RAW and 7D MRAW are then also down sampled to the 7D SRAW size (2592 X 1728 ) using the Photoshop "bicubic sharper" algorithm. This provides a common resolution size for comparison that is close to a minimal print resolution (230 dpi on A4).
No Noise Reduction Results.
Although this gives the sharpest results the noise performance of the 20D and 7D is essentially the same over their common ISO ranges.
Downsizing by using MRAW or SRAW or by using the bicubic sharper algorithm on the RAWs reduces the noise levels a little. These trends are fairly clear for the luminance noise, but less so for the chrominance, however the chrominance noise is fairly well clustered.
For the RAWs the sharpness degrades towards the higher ISOs as might be expected. Using smaller RAW formats or downsampling compresses together the resolution traces and reduces the effect of the high ISO, again as might be expected.
Default Noise Reduction Results
Using the default DPP noise reduction settings reduces the 7D files sharpness slightly, but has a dramatic detrimental effect on the 20D file MTF 50% sharpness that is apparent even after downsampling.
Despite this, the reduction in 7D luminance and chrominance noise is very significant compared to the 20D [The default DPP settings for the 20D do not include any chrominance NR!!]. The luminance advantage is about two stops and the chrominance advantage is about 3 stops at the maximum ISO settings.
Again, downsampling or lower resolution RAWs reduces noise levels, sometimes not by much, although for the SRAW this reduction is more significant.
Noise Performance at Comparable Sharpness Levels
The sharpness of the 20D RAW image is comparable or slightly lower than the 7D RAW image when the 20D has no noise reduction and the 7D has the default noise reduction.
On this basis, at 3200 ISO, the luminance RMS noise on the 7D is about 3 and the 20D is about 8. For the same sort of noise level the 20D would need to be around 400-800 ISO, so a 2-3 stop advantage.
Similarly, for the chrominance noise at 3200 ISO the 7D achieves an RMS noise level of about 1.5 and the 20D about 5.5. To achieve 1.5 the 20D would need to be at 100 ISO and is still not quite as good, so a difference of 5 stops or more.
Due to an oversight the plot images are a bit large so will have to post them as links:
No Noise Reduction Results Plots
http://www.zen20934.zen.co.uk …ots/Black%20luminance.jpg![]()
http://www.zen20934.zen.co.uk …k%20b-g%20chrominance.jpg![]()
Default Noise Reduction Results Plots
http://www.zen20934.zen.co.uk …ots/Black%20luminance.jpg![]()
http://www.zen20934.zen.co.uk …k%20b-g%20chrominance.jpg![]()

More so because I'm rather impatient and need to see photos, not just plotted charts. Dots on a graph are just dots on a graph. Having the actual image behind how the dots are derived works better for *me*. (Certainly doesn't mean that others won't greatly appreciate and understand all the data you put up.)
