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Thread started 01 Jun 2005 (Wednesday) 21:18
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Buying a 50 1.4 tomorrow, anything to look for?

 
Camo ­ 757
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Jun 01, 2005 21:18 |  #1

Hello,

Picking up a 50 1.4 tomorrow and wanted to ask everyone if there is anything I should look for. Meaning, what is an easy way of checking it's sharpness and performance in the store. I have been reading and some think that there are soft copies out there.

Thanks


60D gripped/Tamron 17-50 VC 2.8/Tamron 60mm Macro 2.8/Canon 70-300mm IS

  
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tim
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Jun 01, 2005 21:36 |  #2

Because of the narrow DOF it's be hard to check informally. Stick it on a tripod and get it to autofocus on something with some contrast, then in the preview check if it looks like it's in focus. You might not be able to tell if it's ok until you do a proper focus test like this one (external link).


Professional wedding photographer, solution architect and general technical guy with multiple Amazon Web Services certifications.
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Chazs
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Jun 01, 2005 23:51 |  #3

One thing I noticed with my 50/1.4..., I do a LOT less sharpening than before. Quite often I don't do any as they look better than with a even a minimal amount of USM. You'll like it!!!




  
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ghocking
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Jun 02, 2005 00:37 as a reply to  @ Chazs's post |  #4

Got mine yesterday along with EFS 60 and 580 EX flash. I will be setting up the tripod today and testing at all f stops and comparing with the 60 and my 24-70 L at 50 & 60.


Geoff Hocking
G9|20D|40D|50D|5D|7D|1​DMkIIN
60 Macro|50 1.4|100 Macro|17-40 L|24-105 L|100-400 L|Sigma 18-200 OS
270EX|430EXII|580EX

  
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ghocking
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Jun 02, 2005 12:11 as a reply to  @ ghocking's post |  #5

I carried out my test this morning, and in my opinion my 24-70 was just a little bit sharper than 50 1.4, and this just a bit sharper than the EF S 60. I took all shots using 350D both in both JPEG and RAW, and found that the JPEGS need a little bit of sharpening, but the RAWs using RAWSHOOTER needed non at all. I have read that the 350D processing does not give a perfect sharp shot?, and I find it not as sharp as my 20D.


Geoff Hocking
G9|20D|40D|50D|5D|7D|1​DMkIIN
60 Macro|50 1.4|100 Macro|17-40 L|24-105 L|100-400 L|Sigma 18-200 OS
270EX|430EXII|580EX

  
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Sean-Mcr
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Jun 02, 2005 17:34 |  #6

Thats surprises me actually, obviously both taken at 50mm same aperture ect?

Mine's sharp as hell i have to say. It left my 16-35 standing


I don't know what good composition is.... Sometimes for me composition has to do with a certain brightness or a certain coming to restness and other times it has to do with funny mistakes. There's a kind of rightness and wrongness and sometimes I like rightness and sometimes I like wrongness. Diane Arbus



http://www.pbase.com/s​ean_mcr (external link)

  
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Camo ­ 757
THREAD ­ STARTER
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Jun 02, 2005 18:22 as a reply to  @ Sean-Mcr's post |  #7

I got it today. Super Sweet!!!

So sharp, has to be the sharpest in my collection. Will post pics soon. Forgot to buy a filter ( i know), suggestions?


60D gripped/Tamron 17-50 VC 2.8/Tamron 60mm Macro 2.8/Canon 70-300mm IS

  
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Sean-Mcr
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Jun 02, 2005 18:26 as a reply to  @ Camo 757's post |  #8

I've not even got a hood for mine yet:rolleyes:


I don't know what good composition is.... Sometimes for me composition has to do with a certain brightness or a certain coming to restness and other times it has to do with funny mistakes. There's a kind of rightness and wrongness and sometimes I like rightness and sometimes I like wrongness. Diane Arbus



http://www.pbase.com/s​ean_mcr (external link)

  
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ghocking
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Jun 03, 2005 01:02 as a reply to  @ Sean-Mcr's post |  #9

I took all shots on tripod with remote and yes the 24-70 L was at 50 mm. They are all very close but IMHO the 24-70 L was best. The only shot with very very slight blur was the 50mm at 1.4
Took one for every f stop up to f22


Geoff Hocking
G9|20D|40D|50D|5D|7D|1​DMkIIN
60 Macro|50 1.4|100 Macro|17-40 L|24-105 L|100-400 L|Sigma 18-200 OS
270EX|430EXII|580EX

  
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AXENA
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Jun 03, 2005 06:36 as a reply to  @ ghocking's post |  #10

Not being L-rated glass, the 50 f/1.4 and the 85 f/1.8 are absolutely great lenses. They have actually stopped me from getting L-glass in those ranges for right now. I think you will love the 50 1.4..... I have no focusing issues and images are sharp as tack!

Just another two-cents for what it's worth....
-GSL


Gary S. Latimer - C&C always accepted/appreciated!
ShoreShot Photography, LLC (Formerly Axena Productions)
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Gear-Bag: 30D's, 20D's, 18-55EFs, 17-40f/4L, 70-200f/2.8L, 100-400f/5.6L, 50f/1.4, 85f/1.8, 24-70f/2.8 EX DG, 580EX II, 580 EX, 430EX's, Alien Bees, and a trusty G5!

  
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AXENA
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Jun 03, 2005 06:48 |  #11

Here's a sample (WAY WAY WAY scaled down) of a quick 85 f/1.8 shot of a contruction worker doing work on my home. It was a quick shot.... not time to do much white balancing or anything. To make matters worse, he was half in the bright sun, half in the shade. That is why I am posting this one.... inconsistent lighting, and yet, the photo to me still seems quite sharp.

Geese were shot with the 50 f/1.4..... not sure how they will show up on this forum, but the prints are awesome.
-GSL


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Gary S. Latimer - C&C always accepted/appreciated!
ShoreShot Photography, LLC (Formerly Axena Productions)
www.shoreshotphoto.com (external link)
Gear-Bag: 30D's, 20D's, 18-55EFs, 17-40f/4L, 70-200f/2.8L, 100-400f/5.6L, 50f/1.4, 85f/1.8, 24-70f/2.8 EX DG, 580EX II, 580 EX, 430EX's, Alien Bees, and a trusty G5!

  
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AXENA
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Jun 03, 2005 06:50 |  #12

Here is an example of a low-light shot, hand-held, in a little bar in New York..... just to give you an idea of the scope of the 50mm f/1.4...... not the best photo, but an example of the light-grabbing power of the 50 1.4

Hope it comes out good on the forum....
-GSL


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Gary S. Latimer - C&C always accepted/appreciated!
ShoreShot Photography, LLC (Formerly Axena Productions)
www.shoreshotphoto.com (external link)
Gear-Bag: 30D's, 20D's, 18-55EFs, 17-40f/4L, 70-200f/2.8L, 100-400f/5.6L, 50f/1.4, 85f/1.8, 24-70f/2.8 EX DG, 580EX II, 580 EX, 430EX's, Alien Bees, and a trusty G5!

  
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AXENA
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Jun 03, 2005 07:13 as a reply to  @ AXENA's post |  #13

Took these samples two minutes ago. Lighting was poor... raining. Used these to give you an example of the DOF of the 50mm f/1.4 Again, not for artistic purposes, rather, just to give you an idea of what you should expect from the images.
-GSL


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Gary S. Latimer - C&C always accepted/appreciated!
ShoreShot Photography, LLC (Formerly Axena Productions)
www.shoreshotphoto.com (external link)
Gear-Bag: 30D's, 20D's, 18-55EFs, 17-40f/4L, 70-200f/2.8L, 100-400f/5.6L, 50f/1.4, 85f/1.8, 24-70f/2.8 EX DG, 580EX II, 580 EX, 430EX's, Alien Bees, and a trusty G5!

  
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AXENA
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Jun 03, 2005 07:14 as a reply to  @ AXENA's post |  #14

the second shot with the car is used to show how well the 50mm 1.4 will blur out the background when wide open. The car is there in the first one, however, unless you are working for the FBI crime lab, you would never know it was a car. :-)
-GSL


Gary S. Latimer - C&C always accepted/appreciated!
ShoreShot Photography, LLC (Formerly Axena Productions)
www.shoreshotphoto.com (external link)
Gear-Bag: 30D's, 20D's, 18-55EFs, 17-40f/4L, 70-200f/2.8L, 100-400f/5.6L, 50f/1.4, 85f/1.8, 24-70f/2.8 EX DG, 580EX II, 580 EX, 430EX's, Alien Bees, and a trusty G5!

  
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ayotnoms
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Jun 03, 2005 07:37 |  #15

You're going to love this well performing, versatile lens.
Here's an example of how it works in light as low as that provided by a campfire.


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Steve
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Buying a 50 1.4 tomorrow, anything to look for?
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