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Thread started 22 Oct 2009 (Thursday) 09:49
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How to get my work in a Gallery

 
beachbum2277
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Oct 22, 2009 09:49 |  #1

Ok, so I have searched for this throughout POTN and can't seem to find a thread like this one and haven't been able to find much on the web. I live in Chicago and we have a great gallery district. I have recently seen a few galleries showing off some great photography.

Before I walk into a gallery and sound uneducated, my question is, how do I go about getting my work shown in a gallery?

What do I need a head of time? What questions should I ask? What questions should I be ready to answer?

Any and all help from those of you who have done this before would be a HUGE help!!!

Thanks in advance.

.



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beachbum2277
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Oct 22, 2009 11:41 |  #2

Anyone?

.



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Hikin ­ Mike
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Oct 22, 2009 12:50 |  #3

It's only been an hour, be patient! :D I can't help you, but I'm curious myself....


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dgoakill
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Oct 22, 2009 13:10 |  #4

beachbum2277 wrote in post #8872317 (external link)
Ok, so I have searched for this throughout POTN and can't seem to find a thread like this one and haven't been able to find much on the web. I live in Chicago and we have a great gallery district. I have recently seen a few galleries showing off some great photography.

Before I walk into a gallery and sound uneducated, my question is, how do I go about getting my work shown in a gallery?

What do I need a head of time? What questions should I ask? What questions should I be ready to answer?

Any and all help from those of you who have done this before would be a HUGE help!!!

Thanks in advance.

.

I be interested as well. I've half a$$ed been trying for about a year.

In philly there is only one official photography gallery. the rest are mix media. the solo photo one has a set number of photographers it works with. they only take submissions rarely, so it seems quite hard to break in. basically the gallery represents the artists and promotes them, so it's more than a place to just hang work (if you get in).

I've only had exhibitions in the underground art scene. No main stream galleries. Craigslist has listings (at least in philly) but I'd guess other major cities as well, for creative gigs. there always some cafe, bar, office etc. looking to show work. these types of places have worked well for me since they typically don't take a cut of the sales. But who knows someone visiting one of these places may be a potential connection that could lead to something.

A lot of the photo work I've seen in local galleries here is hit or miss for me, not really great work.....so I'm inclined to think it's more of who you know than how good you really are. We have first friday's where all the galleries have their openings. some up starts and on the edge of town galleries have opened on the same nights as well. I've done one show at one of these obscure places. good showing, but because they are off the beaten path, not a lot of exposure. but some is better than none I suppose.

Most of the galleries I have talked to usually have a very specific process as to what, when, and how much to submit and they all differ. a lot of them (in my experience) also were charging $$$ for a review, which may or may not lead to anything.

this is just a hobby for me so haven't tried very hard, my only real motivation is to make enough $$$ to feed the habit. I've promised myself I won't go FF unless the money I use was generated from my photos....and i don't want to be sleeping on the couch.;)


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sapearl
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Oct 22, 2009 13:12 |  #5

Beach - have you assembled a presentation portfolio of your work?

What I have in mind is the type of large presentation folio/travelling folio that can be found in most art supply stores. This is what I have in mind:

http://www.utrechtart.​com/Portfolios-Storage.cfm (external link)

You want to easily, conveniently be able to show your work to the gallery director or manager. This is something compact and portable that you can carry from studio to studio with little aggravation. I use the Itoya presentation books for my "exhibitable" material:

http://www.utrechtart.​com …ew_product.cfm?​item=47849 (external link)

They are relatively inexpensive, flat/compact and each will hold (40) 13x19 prints. You may also want to take some of your better work and mat it. I wouldn't waste time and expense though on framing anything at this point.

Do you have an inventory of printed work you can present at this time?
Is there a particular subject you are promoting?
Do you have a price range you would like to achieve?
Do you print your work or have a lab do it?
Do you mat/frame the work yourself?

All of these factors will influence your efforts. Hope this helps. - Stu


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sapearl
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Oct 22, 2009 13:15 |  #6

Here is another suggestion: Do you know any restaurant owners or managers?

I have not gone this route yet but am strongly considering it....my sister is a painter/illustrator. One of her friends owns a couple of restaurants. She has a number of my sister's works hanging there on a regular basis, with title cards and price tags. They get a lot of "air time" this one, but lack the niceties of gallery lighting and presentation.


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sapearl
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Oct 22, 2009 13:25 |  #7

A third thought for you - this may not get you sales right away, but I did it myself when I got out of school. Consider public venues like libraries, museums or semi-private atriums that may be perfect venues for displaying your matted and framed work.

I had a large body of printed work when I got out of grad school last century. I knew the people at our local branch library. They also regularly displayed a variety of artwork in their public areas and meeting rooms. They were happy to display mine on portable partitions for about a month and a half. Don't recall that I sold anything but it got me good community exposure and free publicity.

Don't just think "gallery." Think outside of the box.:D


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Oct 22, 2009 13:31 as a reply to  @ sapearl's post |  #8

Its not easy. You will need to get your portfolio really together. Not a bunch of the best of, but a pointed, clear direction to the body of work. A theme. You are going to have to be able to explain the body of work also.

If you get show if its in a gallery you will need an artists statement that is a description of the work and a brief reason why you took the images. Presentation for a gallery should be mounted and over matted prints white archival board for both the back board and the over mat. You will need to have confidence and a real clear knowledge of your work and what it all means.

Good luck and let us know how you do and if you do get a show post an invite.




  
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Karl ­ Johnston
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Oct 22, 2009 13:41 |  #9
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money for a review? how weird..i had a huge write up somewhere on how to prepare and approach galleries...i'm looking for it.

I am in as a solo in 4 commercial art galleries and 1 group


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dkubek
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Oct 22, 2009 14:11 as a reply to  @ Karl Johnston's post |  #10

I have a small gallery wanting/willing to put some of my work in it, however, I don't really know how to present it all. I've seen others have a few framed to hang with several just mounted and matted in clear plastic sleaves/envelopes for people to rifle through, but that seems a little too informal. Any opinions on that?

Also, anyone know where to purchase those clear, sealable envelopes for display purposes?

Thanks


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Win
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Oct 22, 2009 14:52 as a reply to  @ dkubek's post |  #11

Out here there are thousands of photographers and most present almost the same landscapes. I took a slightly different approach and stayed away from the "cliche" locations. Then I went with MPIX and had everything printed on Metallic, no one I've seen locally had this. I assembled a portfolio of 8x10s and 8x12s and took it to a gallery that featured some photographers. I was accepted and now have probably 20 prints up through 16x20 in the gallery.

We package in Clear Bags and each print is coded for the gallery staff to easily write up. We try very hard to make their life easy and they reciprocate by giving me good placement and decent sales.

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sapearl
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Oct 22, 2009 21:28 |  #12

I believe this is what you are looking for:

http://www.archivalmet​hods.com …ategoryid=6&Pro​ductid=165 (external link)

dkubek wrote in post #8873921 (external link)
.....Also, anyone know where to purchase those clear, sealable envelopes for display purposes?

Thanks


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Picture ­ North ­ Carolina
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Oct 23, 2009 06:41 |  #13

Win wrote in post #8874200 (external link)
Out here there are thousands of photographers and most present almost the same landscapes. I took a slightly different approach and stayed away from the "cliche" locations.

This is a key point. Develop a style, a unique look, a "niche" that differentiates you from the crowd.

How many thousands of shots have you seen of a Half Dome sunset or that same old beam of light in Slot Canyon, Antelope Valley Arizona? Many of them excellent!

Shoot something different. Process differently. Be different and you will stand apart from the crowd. Karl Johnson who commented above is an excellent example. How many others have you run across who specialize in the highly-specific niche of photographing auroras? Karl has done so and it has earned him invaluable public exposure.

How does this answer your question? Well, if you approach gallery managers with something that is not only good but unique, don't you think they will consider you more strongly than they would someone who approached them with the 3,437th shot of Bryce Canyon they've seen?

Stuart provides excellent advice above. Combine that with a style of your own and you have a win situation.


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dkubek
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Oct 26, 2009 20:22 |  #14

sapearl wrote in post #8876427 (external link)
I believe this is what you are looking for:

http://www.archivalmet​hods.com …ategoryid=6&Pro​ductid=165 (external link)

Thank you so much!!! I have been looking where to purchase these from for a long time.


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sapearl
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Oct 26, 2009 20:26 |  #15

Glad I could help :D. Remember, google is your friend.

dkubek wrote in post #8900468 (external link)
Thank you so much!!! I have been looking where to purchase these from for a long time.


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