good for you .. next time read before you ask then ..
No need. Seeing the identity of the poster will suffice.
xarqi Cream of the Crop 10,435 posts Likes: 2 Joined Oct 2005 Location: Aotearoa/New Zealand More info | Oct 30, 2009 00:44 | #16 RiKaN HaVoK wrote in post #8921346 good for you .. next time read before you ask then .. No need. Seeing the identity of the poster will suffice.
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Oct 30, 2009 08:28 | #17 plasticmotif wrote in post #8922032 reread your own question, dipstick. visible details = sharpness Anyway. Why get a macro, get the 100 f/2 lol .. so basically more details = sharpness? OK .. if you say so dipstick
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Oct 30, 2009 08:29 | #18 xarqi wrote in post #8922419 No need. Seeing the identity of the poster will suffice. lol .. so basically since I have a goofy avatar now you seen my identity ... lol .. love it how simple minded you are ...
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Jman13 Cream of the Crop 5,567 posts Likes: 164 Joined Dec 2005 Location: Columbus, OH More info | Oct 30, 2009 08:54 | #19 The long and short of it is that all macro lenses are optically excellent. It’s quite difficult to get a bad one. In the 100mm range, for macro shooting, really, any lens will work just fine. If you want to hand hold a lot, it may be worth shelling out the extra $$ for the 100L because of its excellent IS. Jordan Steele - http://www.jsteelephotos.com
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Oct 30, 2009 09:30 | #20 Jman thanks for the reply man ..
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TweakMDS Goldmember 2,242 posts Likes: 1 Joined Nov 2008 Location: Netherlands More info | Oct 30, 2009 10:15 | #21 I was just considering selling my Canon 100mm macro, to maybe get the L, but prices have gone down a bit (supply and demand - etc). Some of my lenses focus beyond infinity...!
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Green_Tea POTN Poet 645 posts Joined Dec 2008 Location: Columbus, IN More info | Oct 30, 2009 10:28 | #22 Community wisdom would suggest the Canon 100mm: 6D|7D| Sigma 50mm 1.4 EX| Canon 100mm L IS macro| Canon 24-70 II L| Canon MP-E 65| 600 EX-RT| MT-24EX
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RPCrowe Cream of the Crop More info | Oct 30, 2009 10:45 | #23 RiKaN HaVoK wrote in post #8921133 I never stated anything about sharpness .. please re-read my question ... If I want to get a crazy IRIS shot or some detail makeup the 135L can't get close enough neither is that detail hence the question .. If I was to go with a Macro which one and if not and I go with another lens which one .. 70-200 or 200? Or should I just buy tubes and use the 135L ... I'm trying to weight all my options .. The 70-200mm f/4L IS is a fantastic lens but, its strength is not neccessarily in the most close up shots. Mine does quite well but, there have been many post regarding this lens having a shortfall in the MFD area. See my images at http://rpcrowe.smugmug.com/
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zshaft Senior Member 357 posts Joined May 2009 More info | Oct 31, 2009 10:09 | #24 RiKaN HaVoK wrote in post #8919631 For portrait and Weddings? Or what Macro lens 100mm and up do you prefer? BTW, I just want to do tighter headshoot with more visible details ... I have the 85L II and 135L and Im thinking about getting the 70-200 IS either 4 or 2.8 For portrait & wedding, i usually use 85 & 135L (i do candid wedding only). Canon 1Dx | 24 L II | 85 L II | 200 L II | Extender 1.4x & 2x III
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mrkgoo Goldmember 2,289 posts Joined Aug 2006 More info | Oct 31, 2009 13:10 | #25 plasticmotif wrote in post #8922032 reread your own question, dipstick. visible details = sharpness Anyway. Why get a macro, get the 100 f/2 Not to get off topic about semantics, but I would say sharpness is NOT the same as visible detail.
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Jman13 Cream of the Crop 5,567 posts Likes: 164 Joined Dec 2005 Location: Columbus, OH More info | Oct 31, 2009 13:51 | #26 I think most people think of sharpness as resolution. To play semantics correctly, what you are referring to, when you talk about sharpness, is actually acutance Jordan Steele - http://www.jsteelephotos.com
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amfoto1 Cream of the Crop 10,331 posts Likes: 146 Joined Aug 2007 Location: San Jose, California More info | Oct 31, 2009 14:07 | #27 Getting back to the original question... And risking being called a dipstick... Alan Myers
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mrkgoo Goldmember 2,289 posts Joined Aug 2006 More info | Oct 31, 2009 14:08 | #28 Jman13 wrote in post #8930461 I think most people think of sharpness as resolution. To play semantics correctly, what you are referring to, when you talk about sharpness, is actually acutance Wow, awesome, thanks for that! Learning is great. wiki wrote: Sharpness Perceived sharpness is a combination of both resolution and acutance: it is thus a combination of the captured resolution, which cannot be changed in processing, and of acutance, which can be so changed. Properly, perceived sharpness is the steepness of transitions (slope), which is change in output value divided by change in position – hence it is maximized for large changes in output value (as in sharpening filters) and small changes in position (high resolution). Coarse grain or noise can, like sharpening filters, increase acutance, hence increasing the perception of sharpness, even though they degrade the signal-to-noise ratio. The term "critical sharpness" is sometimes heard (by analogy with critical focus) for "obtaining maximal optical resolution", as limited by the sensor/film and lens, and in practice means minimizing camera shake – using a tripod or alternative support, mirror lock-up, a cable release or timer, image stabilizing lenses – and optimal aperture, usually 2–3 stops down from wide-open.
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