Raw files, Photo Shop CS4, Kodak 'Q' in the picture, is there a way to match a color on the 'Q' to bring WB, contrast, saturation, etc in line?
jr_senator Goldmember 4,861 posts Joined Sep 2006 More info | Nov 17, 2009 12:59 | #1 Raw files, Photo Shop CS4, Kodak 'Q' in the picture, is there a way to match a color on the 'Q' to bring WB, contrast, saturation, etc in line?
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tim Light Bringer 51,010 posts Likes: 375 Joined Nov 2004 Location: Wellington, New Zealand More info | Nov 17, 2009 15:15 | #2 Can't see a photo. Professional wedding photographer, solution architect and general technical guy with multiple Amazon Web Services certifications.
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Nov 17, 2009 15:35 | #3 Sorry, I meant if there was a 'Q' in a picture taken in RAW and being processed with PS CS4.
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tim Light Bringer 51,010 posts Likes: 375 Joined Nov 2004 Location: Wellington, New Zealand More info | Nov 17, 2009 16:04 | #4 Your post would fit right into a cryptic crossword puzzle, I don't have a clue what you're talking about. Ask your question more clearly if you want anyone to answer it. Professional wedding photographer, solution architect and general technical guy with multiple Amazon Web Services certifications.
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tonylong ...winded More info | Nov 17, 2009 16:13 | #5 Heh! That was my initial response Tony
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Nov 17, 2009 16:38 | #6 I have 2 'Q's. A 4x5 transparency and a 5x7 print. How would I use a gray card (included in the shot) to set correct exposure and WB?
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tonylong ...winded More info | Nov 17, 2009 18:51 | #7 A true (medium gray) gray card can be used typically with spot exposure by metering it and setting your exposure accordingly (the camera meter interprets a subject as "medium" which means a gray card in the same lighting as the subject will accurately be centered. If you are using Manual exposure, this enables you to get one properly exposed setting which will be consistent through the scene/orientation to the light. Tony
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RenéDamkot Cream of the Crop 39,856 posts Likes: 8 Joined Feb 2005 Location: enschede, netherlands More info | Nov 18, 2009 03:52 | #8 If I understand the question correctly: Should be possible similar to calibrating ACR with a McBeth card. You'll just need to know what values to put in... "I think the idea of art kills creativity" - Douglas Adams
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kirkt Cream of the Crop More info | Nov 18, 2009 09:28 | #9 ftp://ftp.kodak.com/GASTDS/Q60DATA/ from: http://www.bhphotovideo.com/images/largeimages/163309.jpg Note the ftp address at the bottom of the target - it gives you access to all the data you need to get going. Here is an example of a data file for an R2 target, with the header and the listing for the gray scale values that run across the bottom of the target.
You could shoot the target, and then in L*a*b mode in Photoshop, use a curves adjustment layer and the curve color picker to click on various color or gray patches and adjust the L, a and b curves to get the desired L*a*b values specified for that patch of the target (drop a color picker info spot on the patch you are adjusting and read the values from the info window). Then you save that curve and apply it to the images you have shot under the same lighting conditions. Maybe? There is also an open source app called Argyll that will do this for you automatically and output an ICC profile - you need to tell it what target you are using and feed it the data that is contained in the above ftp files, and it should generate the profile for you. See: http://www.argyllcms.com/ This is probably the way to go. Essentially you would be profiling your input device (your camera) for that specific lighting condition, hopefully resulting in better color rendition. I wonder if Kodak has software to do this specifically for these targets. Good luck! Kirk
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