Hello!
Being that there are so many "Which UWA?" threads being posted, I thought I'd share my thoughts and feelings regarding the new and often overlooked Tokina 12-24 II, which I received yesterday. I had version I, but sold it when I went full frame, and re-bought version II when I went back to a crop body.
Handling/Build:
I am not one who demands an overly sturdy lens, but this lens is built like a tank and is quite significant in the hands. I don't think I'll have any worries when I take it out to Red Rock near Vegas in a couple weeks. The zoom ring is nice and quite sturdy, and the focusing ring is smooth (and I love their AF/MF switching system). It is a little more expensive than the Sigma 10-20 but you really are getting excellent build quality. The hood is nice and effective, as well.
Autofocus:
Yes, the lens makes a bit of a noise when autofocusing, but it is almost negligible. Focusing is zippy and is really no problem. I haven't had any problems except in areas of extremely low contrast, but I don't think I'll be complaining about that, either.
IQ:
Color/Contrast:
Wowsers. This is where this lens REALLY shines! I've never really used a lens that produces this level of color-wow (except for maybe the 17-40L). colors are reproduced accurately, and blues tend to come out quite rich. Contrast is quite nice, too. This is where a lens matters most, to me. I love color!!
Sharpness:
Sharpness is about what you'd expect from an UWA. It's sharp across the frame assuming you do everything correctly and don't try to shoot a landscape at f/4 and wonder why things are wrong. Ahem! Anyways, no complaints here, either. I am not experiencing any 'decentering' thus far.
CA:
Alas, this lens is not completely free of fault, and CA control is the area in which it is a tad lacking. It only really appears when the contrast is harsh (black powerlines on a white, blown-out sky), but it does appear. It's an easy fix in PS, though, and I'm not a pixel peeper so I don't foresee it being a real problem when I'm using it for my landscape and travel photography.
Flare:
Flare has definitely been improved in this version of the lens. I didn't get any objectionable flare, even when shooting right into the sun. Flaring was present, but nothing to be too concerned about.
Distortion:
Also very well controlled. Being 12mm, you shouldn't expect too much, and I love this lens' ability to keep the wide angle looking quite natural.
So, in essence, I HIGHLY recommend this lens to anyone looking for a quality UWA. 12mm is a good max width for me as I like to keep things looking somewhat natural, and 24mm makes for a very nice max length. I wouldn't worry about using this lens outdoors when conditions are less than ideal, and the colors are just out of this world. So, don't scratch it off your UWA list just yet.
And, of course, some various samples. You will never catch me shooting charts and graphs or brick walls, mind you. All taken on my 7D, only resized out of camera.
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