This is an area I've recently started to focus on, and IMO it's vital, for the reason that our photographs, if stored are an incredibly accurate portrayal of life now.
On to some comments:
Wilt wrote in post #9547351
When you see a glare, try lowering the camera....
I stop there, without pushing it further as I feel the moment I wanted has gone.
Todd Lambert wrote in post #9548940
I'd say try and pretend that you're a famous photo journalist...
The more gear I'm carrying, the less odd looks I get....which I guess is linked to the perception that perverts don't (I expect/hope) carry massive dSLRs.
Some good shots there Nicksan. I think the guy in the park is my favourite "classic" street shot, while the "rear shots" are exactly what we should avoid...
blackhawk wrote in post #9549659
....you need to stand out and interact with the people.....Establish your presence by standing out in a non-offensive way, talk with people and mingle in between shots. If your not in a social mood, don't street shoot!
All great advice, IMO.
Get down in a kneeling, sitting, or even prong position....
I think this helps with the image of a "pro". We don't need to hide as we're doing nothing wrong, so our stance is part-and-parcel of transmitting an image that says, "don't about me and my camera."
...You need to have ethics about where, what, and who you shoot....It takes practice, patience, time to develop your skills as a street shooter. Your shooting style is a direct reflection of who you are, or aren't...
And more here too.
I also love the 50mm on my cropper, and am trying to learn to use my 10-22 (@22mm = 35mm FF field of view) for more intimate shots.
And adding my own thoughts, I live in southern Japan where people, like Jurgen's subjects in Laos, have far fewer hang-ups than in the west. So if you want to practice, come here for a holiday and as long as you're polite to the locals enjoy some great street shooting.