So, whats a Hafla?
It's a meeting of belly dancers - this particular one will be a fund raiser for one of the dancers who is doing the Panmass Challenge to raise money for cancer research.
My wife is a dancer, and through her, I'm going to be the official photographer for the event.
I'm mentally troubleshooting how I'm going to light this - it won't be my first dance event, but every one I've done before has been unofficial, and was with my XTI, 50mm f1.8 lens and no flash - so high ISO and grainy results. Nothing I'd call professional, or put in my portfolio.
This time, I've negotiated the use of flash, I've upgraded to a 7D and a 28-75mm Tamron f2.8 lens. I have a 580EXII, and potentially, two of them, if I can negotiate a loan from a friend.
So, here's my challenge. The dance floor is circular, with people seated 3/4 of the way around. The ceiling is high and has a crystal chandelier right in the middle that I suspect will play havoc with bouncing.
Here is a shot of it (not my photo - that of another belly dance husband)
http://www.flickr.com …in/set-72157616595160707/![]()
i'm running two lighting setups through my mind.
1) on camera - I can put a 580EXII on a flash bracket with an ETTL cable, or directly on the hotshoe, gelled for tungsten, and either bounced off the ceiling or bounced off a lumiquest pocket bounce. I can be mobile, but not too creative with the lighting.
2) Off camera - put one, or both (if I can get it) 580 EXII's on flash stands and stick them high up off the ground, then bounce them off the roof - I have one umbrella bracket I could fire one through / bounce one off, but could get another bracket if needed. Then I fire them remotely with the on camera 7D flash trigger functionality.
So, what would you do? Advice or thoughts? Suggestions?
i do have genesis 200 studio lights, but wasn't planning on taking those - I could if you think it would be a dramatic improvement?




