The 50mm 1.4 with 20D is simply magic with a newborn baby. It's not hard to move around to frame what you want, no flash required, a bit hard to get focus sometimes (but hey) and great shots.
gunichan Hatchling 3 posts Joined Nov 2004 More info | The 50mm 1.4 with 20D is simply magic with a newborn baby. It's not hard to move around to frame what you want, no flash required, a bit hard to get focus sometimes (but hey) and great shots.
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dsze Goldmember 2,241 posts Likes: 1 Joined May 2004 Location: On The Lake! More info | Hellashot wrote: The human eye sees almost 180 degrees, so I'm not sure what the people saying that 50mm is a human eye. I don't see why people like 50mm or even 85mm fixed length on a dSLR of 1.6x mangification factor. I'd rather have the kit zoom lens on my camera all the time than my 50mm f1.5 which I use for low light and portraits. I'd take the 50 or especially the 85f1.8 over the kit for ANY assignment. They are great lenses. Nothing against the kit lens, it does a fine job....but it just doesn't compare to these 2 primes. -daniel
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KevC Goldmember 3,154 posts Joined Jan 2005 Location: to More info | Jul 04, 2005 18:43 | #18 50 was always the most popular focal length, therefore the most research and technology as gone into it. It's easiest to make sharp, and since so many are produced the cost is low. Too much gear...
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willg Senior Member 895 posts Joined Mar 2005 Location: Decatur, IL More info | Jul 04, 2005 21:47 | #19 as far as sharpness goes..my 50mm 1.8 is as good as my 70-200 f/4 L...in the contrast/color area it falls a bit short but i still think its a must have if you don't get the 1.4 5D, 300D, Tamron 17-35mm f/2.8-4, Canon 70-200mm f/4, 135mm f/2, 24-105mm f/4, 50mm f/1.4, Sigma ef 500 dg super, Canon 580EX
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edrader "I am not the final word" More info | Jul 04, 2005 23:00 | #20 >>as far as sharpness goes..my 50mm 1.8 is as good as my 70-200 f/4 L...in the contrast/color area it falls a bit short but i still think its a must have if you don't get the 1.4<< http://instagram.com/edraderphotography/
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jylitalo Member 194 posts Joined Mar 2004 Location: Helsinki, Finland More info | willg wrote: as far as sharpness goes..my 50mm 1.8 is as good as my 70-200 f/4 L...in the contrast/color area it falls a bit short but i still think its a must have if you don't get the 1.4 Let's not forget, that there is third option for 50mm prime, which is 50/2.5 macro. Even though its noisy, hunts in low light (since its macro without USM) and only offers 1:2 macro capabilities, its good enough for my needs on 50mm range. - Juha - ylitalot.com (blog
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lostdoggy King Duffus 4,787 posts Joined Aug 2004 Location: Queens, NY More info | Hellashot wrote: The human eye sees almost 180 degrees, so I'm not sure what the people saying that 50mm is a human eye. I don't see why people like 50mm or even 85mm fixed length on a dSLR of 1.6x mangification factor. I'd rather have the kit zoom lens on my camera all the time than my 50mm f1.5 which I use for low light and portraits. 180 deg only if your eyes protude from your eye socket and closer to your ears, and that is not an opinion.
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Sailare Member 156 posts Joined Jan 2004 More info | Jul 05, 2005 10:17 | #23 These 50mm lens offer the absolute lowest price and very sharp high quality output. Sometimes that's all one can afford when starting out.
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booggerg Senior Member 460 posts Joined Aug 2004 Location: Chicago More info | Jul 05, 2005 11:44 | #24 Permanent bansyburn wrote: On a 350D it is equiv of a 80mm. I dont understand why one would want this ,due to the crop factor. What is the reason that its so popular? What is so good about having a fixed lens at 80mm? Based on my earlier post about lenses that are close to a human eye, I would think people would want a 32mm or something. Why do you think people would only want 32mm?? are you saying all lenses that are non-wide is undesirable? 20D || EOS650 || 50 f/1.8 MKI || 17-40 f/4L || 70-200 f/4L || Sigma 35-135 f/3.5 || Yashica Electro 35 || Yashica Minister || Yashica Mat 124G || Hoga 120CFN || 420EX || Sekonic 306 || Panasonic DVX100 || Canon GL2
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