One of my former wedding portraiture favorites, Fuji NPS, gone.
I thought Pro-S was an update of NPS.
DrPablo Goldmember 1,568 posts Likes: 3 Joined Jan 2006 Location: North Carolina More info | Mar 16, 2010 22:58 | #16 Wilt wrote in post #9812045 One of my former wedding portraiture favorites, Fuji NPS, gone. I thought Pro-S was an update of NPS. Canon 5D Mark IV, 24-105L II, 17 TS-E f/4L, MPE 65, Sigma 50 f/1.4, Sigma 85 f/1.4, 100 f/2.8L, 135 f/2L, 70-200 f/4L, 400 L
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flymypretties Senior Member 608 posts Joined Dec 2008 More info | Mar 17, 2010 03:47 | #17 |
5Dmaniac Goldmember 1,303 posts Likes: 1 Joined Oct 2008 Location: Scottsdale, AZ More info | Mar 17, 2010 07:29 | #18 DrPablo wrote in post #9811868 Well enough to introduce a bunch of new emulsions in the last couple years. Ilford, by the way, is doing great. In the large format world there are brand new 4x5 bodies coming out all the time. In the medium format world there are a couple companies like Horseman and Fotoman coming out with new panoramic bodies. Oh wait, who am I kidding. The only relevant camera models in the world are digital SLRs and camera phones. ![]() I wish the world was that easy! I shoot tons of film in 4x5, 8x10 and medium format and we can all try to convince ourselves that film is doing great, but the truth of the matter is that more and more emulsions are disappearing (Neopan 400 in MF is the latest) and the same is true for papers. When was the last 35mm film camera introduced and how many models do the big guys still sell? LF has been a niche market ever since the introduction of the 35mm camera. Walk into any camera store and ask them how their film sales are going - they will laugh at you.
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seaside Slapped with a ridiculous title 5,472 posts Likes: 2 Joined Apr 2008 Location: North Carolina Coast but traveling the Americas More info | Mar 17, 2010 08:31 | #19 Your original question - "What effect is digital photography having on traditional, film-based photography" is the reason you are getting many of the responses here. The literal answer to that simple question is simple. The effect is overpowering. Its obvious. Film based industries have been bought, sold and re-engineered. There are new emulsions being developed and released but the writing is on the wall. MrOnlineIdentity wrote in post #9806359 Hi guys, I’m currently undertaking a university project looking into how new, digital-based photography is effecting the traditional methods/processes of film-based photography. It would be great to get some of your professional opinions to aid my research. Below there are 6 questions, and any response would be great and much appreciated! Thank you! 1) Do you find that most of your customers come here looking for digital related products or advice, as opposed to traditional film photography products? Roughly what percentage is digital? >>>Are you asking about POTN? Customers aren't looking here for anything. This is a USER forum. As far as POTN members the topics are most usually digital. However, there are hundreds here that have used film in the past...and many that still use film today. Most I would say have never used film. 2) What are your personal views on digital photography? For example do you feel like it devalues the traditional processes of photography, or does it enhance the medium of photography as it’s now easier for people to become involved? >>>Devalue and enhance probably aren't a good choice of words here. From a literal viewpoint I'd say neither. There is no way to devalue film photography. You can only say that the trend has overwhelmingly leaned toward digital. There are well known professionals that still use only film. However, there are probably more people than ever using cameras now because of the accessibility, ease of use and cost of digital cameras. 3) Do you think digital photography is casing the death of traditional ‘dark room’ methods and chemical processes. If so, is it redefining what photography means? >>>Photography is photography. However, the trend is overwhelmingly toward digital. Will film die? If it does, the cause will be market driven. No one buys film - no one will manufacture film. There is a point where film manufacturing companies may say its over from a return on investment standpoint. We don't know when that will happen. 4) Do you think photo manipulation is ‘cheating’ in that some people might think it takes away the skill from the photographer? >>>The almighty debate. There are no absolute answers. There are skills required with both mediums. In todays world if a photograph is worthy of purchasing most buyers aren't concerned with the process used to get the image. If it is good they will come. 5) Do you think digital cameras will ever fully replace film-based cameras? >>>Yes. The market will dictate when. 6) Finally, would you say that the digitisation of photography is overall a positive thing, or a negative thing? >>>Current film users would probably lean towards negative. Digital users would say positive. From a diplomatic point of view I'd say go buy a digital camera, learn some post processing skills and embrace the new technology because its not going away. Chris
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canonnoob Cream of the Crop 8,487 posts Likes: 1 Joined Aug 2008 Location: Atlanta, GA More info | Mar 17, 2010 08:46 | #20 Attached is a paper I wrote last semester. If you have any questions just PM me.. It is a PDF format. David W.
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HappySnapper90 Cream of the Crop 5,145 posts Likes: 3 Joined Aug 2008 Location: Cleveland, Ohio More info | Mar 17, 2010 11:19 | #21 MrOnlineIdentity wrote in post #9806359 5) Do you think digital cameras will ever fully replace film-based cameras? It will be a long time before there's an semi-affordable large format digital camera.
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FlyingPhotog Cream of the "Prop" 57,560 posts Likes: 178 Joined May 2007 Location: Probably Chasing Aircraft More info | Mar 17, 2010 11:24 | #22 canonnoob wrote in post #9813940 Attached is a paper I wrote last semester. If you have any questions just PM me.. It is a PDF format. Can you offer up a credit card number and your SS # as well please? Jay
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canonnoob Cream of the Crop 8,487 posts Likes: 1 Joined Aug 2008 Location: Atlanta, GA More info | Mar 17, 2010 11:25 | #23 FlyingPhotog wrote in post #9814927 Can you offer up a credit card number and your SS # as well please? sure jay... only for you though... lol David W.
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Wilt Reader's Digest Condensed version of War and Peace [POTN Vol 1] More info | Mar 17, 2010 14:36 | #24 DrPablo wrote in post #9812087 I thought Pro-S was an update of NPS. It is. I have no wedding coverage experience with the newer film, so I have to lament the older film's demise, even though the newer film is history soon, too. You need to give me OK to edit your image and repost! Keep POTN alive and well with member support https://photography-on-the.net/forum/donate.php
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RDKirk Adorama says I'm "packed." More info | Another comparison, though all costs are higher because it's highly specialized and uncommon photography. But aerial photogrammetry when using film is a 9"x9" negative and new film cameras for it are $300,000. The digital equivalent (not sure what image sensor size) costs $1.25 million. The cost is in part due to the large quantity of data stored per image, and during the flight images need to be captured at least every second. So that's a massive amount of data to be pulled off the image sensor and stored very quickly That's not really a great enough cost difference to maintain a film technology. Along with that 9x9 film camera must also come a Versamat processor, a processing lab, and extremely extensive environmental protection measures. If you've already got old money sunk into a lab, then you can creak on. But it would be madness to start such a project anew with so little difference in camera costs. TANSTAAFL--The Only Unbreakable Rule in Photography
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I used sheet film and chemical development a few months ago in western hybridization (using chemiluminescent detection) because a 25,000$ digital system could not do the job. Stuff and things
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cdifoto Don't get pissy with me 34,092 posts Likes: 48 Joined Dec 2005 More info | Mar 17, 2010 15:33 | #27 RWatkins wrote in post #9816522 I used sheet film and chemical development a few months ago in western hybridization (using chemiluminescent detection) because a 25,000$ digital system could not do the job. Basically, a photon emitting enzyme is on the end of a secondary antibody, and the secondary antibody attaches to the primary antibody, which is specific for the protein of interest. They still sell supplies for this in scientific catalogs. I have some vacation snaps that are like that. Did you lose Digital Photo Professional (DPP)? Get it here
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Mar 17, 2010 18:15 | #28 Thanks you very much to everyone who has responded so far! The feedback is very much appreciated. Please let me justify some of the posts people have made: chauncey wrote in post #9807168 You want us to go ahead and write your paper as well? These questions have been asked and answered in numerous places on the web. Chairman7w wrote in post #9807373 apparently he posted this 10 years ago... Karl Johnston wrote in post #9811985 You're about 10-15 years late to this debate ! fly my pretties wrote in post #9813096 Congratulations on having other people do your work for you. Also, congratulations on your moron tutors for setting a project that was out of date 8 years ago. OK, first off I'm not getting other people to do my work for me. This is just one source of information on the topic where I am gathering my research, simply to get an insight into what active photographers (both film and digital) feel about the subject.
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