jetcode wrote in post #9910835
Someone correct me but I believe 35mm was derived by cutting 70mm film in half which changed the format from 4:3 to 2:3. Thought I read that somewhere.
No, it was not. It was a standard in it's own right, developed for cinematography. 35mm cine film used nominal 24×18mm images.
Still camera manufacturers decided to use the same 35mm film in their cameras because it was plentiful and cheap. They increased the nominal frame size to 36×24mm because that made a better resolution image, and the film was run through the camera sideways compared to a cine camera.
The 24mm dimension was across the width of the film, in the 26mm clear space between the sprocket holes. The 36mm dimension we are used to was arbitrary, and certainly not a standard at first.
Common 35mm still image formats were:
21×14mm, often called 35mm mini or 35mm cine still (this was a common cine image size, allowing cine and still cameras to share parts)
24×18mm, often called 35mm half-frame (cameras often shot portrait images when held normally and landscape images when rotated)
23×24mm
24×24mm, or 35mm square (in imitation of 6×6 medium-format cameras, whose images are actually 54×54mm)
32×21mm
34×24mm
36×24mm, or 35mm full-frame
56×24mm, or Panoramic 56
64×24mm, or Panoramic 64
With cine film, the long dimension of the image was only 24mm in the earliest days, in the silent-movie era. It was reduced to add a soundtrack along the length of the film. And reduced again when stereo was introduced. Sometimes they reduced the height of the image as well, and sometimes they didn't.