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Thread started 04 Apr 2010 (Sunday) 18:17
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135L vs 70-200 2.8IS

 
Down_Shift
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Apr 04, 2010 18:17 |  #1

Trying to figure out which one to pick up. Pricing is a bit different, but I don't mind paying more if it makes sense.

I'm going to be shooting indoor events, concerts, some indoor dance events..

Which one will work best on a 5d mkii?

I figure the 135L is cheaper, faster, and looks sharp. But it's a prime.

The 70-200 has IS (not sure if it helps with moving objects?), has zoom.

Suggestions?




  
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colin842
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Apr 04, 2010 18:35 |  #2

I guess it really depends on how much you're able to move at these events. I shoot a lot of theater and always use the 135L, but if my movement were more limited i would much prefer the 70-200.




  
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colin842
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Apr 04, 2010 18:36 |  #3

In other words, If you're shooting a variety of events, the zoom may be a better place to start. Pick up the 135L later and you can decide which works best for you.




  
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Down_Shift
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Apr 04, 2010 18:38 |  #4

^^ In a similar situation. Some productions say, Musical Theater- I can move around at a dress run through. But at performance situations, I'm usually stuck unless I move during intermission!

Do you have any samples from Theater? Curious to see how the 135L does in low light.




  
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anhtimmy
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Apr 04, 2010 18:39 |  #5

I have both and I prefer the 135L for indoor events. The extra stop is very useful for low light.


arsenal & feedback

  
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spacetime
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Apr 04, 2010 18:43 |  #6

I'd rather have an extra stop than IS to compensate for low lighting. As you mentioned, IS may not help much if the subject is moving. But I never bothered to try panning with the subject in conjunction with IS to see if was feasible or not.




  
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colin842
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Apr 04, 2010 18:48 as a reply to  @ anhtimmy's post |  #7

Here's a couple samples of the 135L for theater. If I'm able to move, I definitely prefer it over the zoom. I sold my zoom a while back because the 135L does everything I need, but again, If you have a variety of events the zoom is extremely helpful.


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colin842
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Apr 04, 2010 18:49 as a reply to  @ colin842's post |  #8

and another


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Down_Shift
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Apr 04, 2010 18:50 |  #9

Wow they look sharp. What body are you using?

Damn, I want the 135L so I can get my prime collection going. (35L, 85L, 135L)

but the zoom would be more useful (24-70L, 70-200L)

crap. decisions.




  
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colin842
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Apr 04, 2010 18:58 |  #10

Its a tough decision for sure. If you can move around the primes are really great, but maybe a mixture of primes and zooms would be ideal. You could always consider something like a 24-70, 85 f/1.8 and 135L lineup then get the 85L later. Oh and the body I used for these shots was a 5D classic.




  
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Buckeye1
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Apr 04, 2010 19:01 as a reply to  @ Down_Shift's post |  #11

Here are two with the 70-200 F2.8 L IS on a 5D Classic...


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Down_Shift
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Apr 04, 2010 20:48 |  #12

Damn it these pics are making tough choices. Maybe I'll get the zoom and then later get the prime if I can swing it. I think that would keep the options open.




  
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Shadowblade
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Apr 04, 2010 21:00 |  #13

I would get the 70-200 2.8L IS II - even at f/2.8 and 200mm, it's about as sharp as the 135mm, and, much of the time, you won't want to shoot at f/2.0 anyway due to limited depth of field (particularly for close-up head-and-shoulders shots). IS is surprisingly useful - even in theatre, you have some moments where actors aren't moving very much. I don't have the photos on me at the moment, due to working from an outside computer, but I took some great photos at the Melbourne comedy festival last week at 1/4s @ f/2.8, ISO 6400 (pushed further in PS) at 200mm, on a 5D2...




  
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bunhauler
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Apr 04, 2010 21:21 |  #14

here is one of my daughter at a dance recital, taken with 135L on a rebel xsi this year it will be with my 7d. I like the 135 but, my 70-200 2.8 (non is though) will be here on tuesday hopefully.


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7D Gripped, 24-70L, 85 1.8, 50 1.8, 70-200 2.8L, sigma 10-20, 70-250

  
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Down_Shift
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Apr 04, 2010 22:07 |  #15

Shadowblade wrote in post #9933365 (external link)
I would get the 70-200 2.8L IS II - even at f/2.8 and 200mm, it's about as sharp as the 135mm, and, much of the time, you won't want to shoot at f/2.0 anyway due to limited depth of field (particularly for close-up head-and-shoulders shots). IS is surprisingly useful - even in theatre, you have some moments where actors aren't moving very much. I don't have the photos on me at the moment, due to working from an outside computer, but I took some great photos at the Melbourne comedy festival last week at 1/4s @ f/2.8, ISO 6400 (pushed further in PS) at 200mm, on a 5D2...

135L + 70-200IS mki or just get a 70-200IS mkii

Wow I didn't even see that option coming haha




  
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135L vs 70-200 2.8IS
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