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Thread started 21 Apr 2010 (Wednesday) 12:07
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Redefining the Camera

 
Mosca
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Apr 21, 2010 12:07 |  #1

http://www.bythom.com/​design2010.htm (external link)

Very thought-provoking essay. Lots of money quotes. For example,

Well, you have to think about how cameras fit into the world around them. To date, cameras have been designed for linear processes: you take a picture and move that picture to the "post processing world" where the camera is not involved any more:
QUOTED IMAGE
But anyone who's used the camera on the iPhone intuitively understands that this isn't the optimal way to look at "imaging." A modern camera should live at the center of your imaging world, more like this (this is the highly simplified version of outputs from the camera of the future ;~):
QUOTED IMAGE

When you start thinking about the camera that way you quickly start thinking of it differently than just an "image acquisition device." For the time being, I'll leave it to you to figure out how such a camera departs from our current designs, but the answer, once found, is obvious and compelling.


And,

One of the items that is currently being explored commercially is using the accelerometer in a device to correct motion after the fact. No, I don't mean VR, which is a real-time correction system: I mean keeping a high-frequency time record of the device's motion with notation of where image acquisition begins and ends, then doing some very high level math to try to remove motion out of the recorded pixels. This, too, derives from spy tech: those satellites aren't always stationary to the object they're photographing.

Good stuff.


_______________
Too much gear and not enough brains

  
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FlyingPhotog
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Apr 21, 2010 12:15 |  #2

Very Interesting interpretation with the camera at the center of things.

Related to post-processed corrections: Pretty sure it was either On One or Nik that had software out that (based on the EXIF) could create very realistic looking changes in where the plane of focus fell in an image. IOW, you shoot at f/11 or f/13 but the software could determine how it would have looked at say, f/4 and you could slide the plane of sharpness up or back within the image.

Unfortunately, I don't think it worked the other way allowing you to create apparent deeper DOF when originally shot shallow.


Jay
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"If you aren't getting extraordinary images from today's dSLRs, regardless of brand, it's not the camera!" - Bill Fortney, Nikon Corp.

  
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Redefining the Camera
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