I am starting to enjoy shooting this sport more and more- Still finding ways to make runners look interesting...
C&C welcome-
sfinkernagel Senior Member More info | Apr 27, 2010 09:53 | #1 |
Apr 27, 2010 10:08 | #2 Some more- I still mess up the attachment thing... 4. 5. 6. 7. 8. 9.
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JoeCyr Senior Member 989 posts Likes: 15 Joined Mar 2006 Location: Northern Maine More info | Apr 27, 2010 11:26 | #3 Excellent angles when taking these shots. You got low to get the faces. Keep it up. Canon 1D (Mark III) (Mark IV),
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namasste Cream of the Crop 6,911 posts Likes: 140 Joined Jul 2007 Location: NE Ohio More info | Apr 27, 2010 13:15 | #4 I'll offer you some constructive crit and hope you don't find it offensive but these are okay and thats about it for me. Your depth of field is waaaaay too deep especially considering the background clutter you'll have at a track meet. You need to really be thinking about positioning and creating a a small DOF to isolate the athletes. On the running shots, you'd have been better shooting from just inside the fence rather than the infield then making sure you timed shots when the athletes were quite close to you with lots of space behind. I think you'd see the images improve dramatically with that alone. The other timing /positioning issue I see is that you didn't pay attention to where your athlete was in relation to other distracting objects (#5 is a great example). This shot is probably the best imo but your location and timing put that distracting pole right in the frame. A little change in both position and timing and you could have had a much cleaner image. These are the little things that I think separates the great sports shooters from those that want to be. Its all about attention to detail sometimes and while these images aren't bad by any means, they lack that attention. Scott Evans Photography
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Apr 27, 2010 14:08 | #5 Thanks Scott- no, I don't find any of your thoughts offensive- I want to improve....
I appreciate your thoughts- and I am certainly not trying to disagree, just learn. This was my third track meet, backgrounds have been the biggest challenge for me. Whatever the method, I understand the need to isolate the subject- perhaps just need to keep working at it. Thank you for your thoughts-
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namasste Cream of the Crop 6,911 posts Likes: 140 Joined Jul 2007 Location: NE Ohio More info | Apr 27, 2010 15:00 | #6 I'm glad you took them for what they were. To start, HS track is sooooo hard to shoot because creating separation is just so tough. I agree that a lower position is usually better (but not always) so don't be afraid to mix it up. I'm not sure what glass you shot with but if you are wide open, then the only way to start "creating" DOF is in the ratio of yo ur distance to the athlete relative to their distance to the background (longer focal lengths can be helpful here but remember that with telephotos, you need some working room so unless you have lots of background space, they can work against shallow DOF in tighter environments. Consider using a shorter focal length and getting closer to the athlete if possible. Flash is another option. Sometimes that can create some separation although you'll likely need to shoot high speed sync (usually a no no for sports) to get the backgrounds tamed enough to create the separation. Don't be afraid to get creative either and use some backlighting as that can also kill some lousy backgrounds. Obviously, flash will be needed there. Other than that, sometimes there's just not much you can do. Simply be as aware as possible about what the image is going to look like before pressing the button and that takes into account poles, people, fences, etc. Hope that's remotely useful. Good luck and have fun out there. Scott Evans Photography
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Apr 27, 2010 15:52 | #7 Thanks again Scott. For the most part, I have been using a 70-300 is zoom for the meets. The aperture on that is 4.0-5.6, depending on the zoom. I also used a 400 5.6 for some of the shots- so I can stay safely away from flying balls, discs & spears. I have some wider lenses, but they are primes- 200 2.8, 135 2.0, 85 1.8. I may start monkeying around with some of those to get something different. The high jump shot above was with the 200, I love that lens but can't always get to where the focal lengths works.
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namasste Cream of the Crop 6,911 posts Likes: 140 Joined Jul 2007 Location: NE Ohio More info | Apr 27, 2010 22:03 | #8 I assume the 200 is the f2.8 variety. I'd really really really really focus on using that lens for both the DOF and because it will force you to pay such close attention to where you are shooting from for the shot you are looking for. This is a debate for another thread but I will tell you that shooting primes is one of the best things I ever did in terms of improving my composition and attention to detail. It takes practice and time but I am a firm believer in prime lenses for that reason (as well as some others). Scott Evans Photography
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Apr 28, 2010 07:05 | #9 I agree completely with your assessment of prime lenses- for the most part, all of my sports shots are done with a prime. Yes, the 200 is a 2.8 aperture, and that is one of my favorite lenses in terms of quality results.
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daleofmesa Hatchling 4 posts Joined Dec 2007 More info | Apr 28, 2010 12:00 | #10 sfinkernagel
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Sibil Cream of the Crop 10,415 posts Likes: 54444 Joined Jan 2009 Location: SoCal More info | Apr 29, 2010 05:53 | #11 namasste wrote in post #10077009 I'm glad you took them for what they were. To start, HS track is sooooo hard to shoot because creating separation is just so tough. I agree that a lower position is usually better (but not always) so don't be afraid to mix it up. I'm not sure what glass you shot with but if you are wide open, then the only way to start "creating" DOF is in the ratio of yo ur distance to the athlete relative to their distance to the background (longer focal lengths can be helpful here but remember that with telephotos, you need some working room so unless you have lots of background space, they can work against shallow DOF in tighter environments. Consider using a shorter focal length and getting closer to the athlete if possible. Flash is another option. Sometimes that can create some separation although you'll likely need to shoot high speed sync (usually a no no for sports) to get the backgrounds tamed enough to create the separation. Don't be afraid to get creative either and use some backlighting as that can also kill some lousy backgrounds. Obviously, flash will be needed there. Other than that, sometimes there's just not much you can do. Simply be as aware as possible about what the image is going to look like before pressing the button and that takes into account poles, people, fences, etc. Hope that's remotely useful. Good luck and have fun out there. Lots of great pointers here. Little details on how to deal with backgrounds that make a big difference in the quality of the photos. Thanks Scott.
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namasste Cream of the Crop 6,911 posts Likes: 140 Joined Jul 2007 Location: NE Ohio More info | Apr 29, 2010 09:46 | #12 you bet guys. its all about community here so if I can help that in any way, I'm all about it. Have fun out there!!! Scott Evans Photography
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NYIrish Senior Member 608 posts Joined Jan 2010 Location: Johnson City NY More info | Apr 30, 2010 13:22 | #13 Shooting a meet today thanks for the pointers. I have been having a hard time getting the images I wanted and think your advice will help. 7D
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