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Thread started 15 Jul 2010 (Thursday) 15:00
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How do you get this effect?

 
Heathmeister
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Jul 15, 2010 15:00 |  #1

First off I am new to the forums. So hi :)
I am kinda a noob to photography, but hey you got to start somewhere.. right?

Anyways I fount some pictures with the look I would like to do sometime in the future when I edit pictures.

The links to the pictures location, cause I don't know who to credit.
http://forums.vwvortex​.com …6-Car-Shots-Thread/page81 (external link)
http://forums.vwvortex​.com …6-Car-Shots-Thread/page80 (external link)

I am just curious how would you go about getting this look or effect in Photoshop.
Thanks guys. :)

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Yusef
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Jul 15, 2010 15:05 |  #2

"I shoot people with my Canon "

lol funny




  
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Yusef
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Jul 15, 2010 15:06 |  #3

Looks like high contrast low saturation settings. I'm guessing you'll just have to play around with the contrast, saturation, and curves to get the right effect.




  
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monst0r
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Jul 15, 2010 15:07 |  #4

Looks like it just went through a basic cross processing algorithm with some vignetting added. Go to Curves in PS to do this. I'm sure google has a lot of tutorials on the matter.


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theextremist04
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Jul 15, 2010 15:09 |  #5

It looks like split toning to me. Again, a minute of work in curves.


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gjl711
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Jul 15, 2010 15:09 |  #6

Looks like a lightroom preset.


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Heathmeister
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Jul 15, 2010 15:12 |  #7

Yusef wrote in post #10543033 (external link)
"I shoot people with my Canon "

lol funny

Gets people every time. :)

Thanks for the responses guys... I am just in love with this look...
Keep the responses coming, and thanks for reading.


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ni$mo350
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Jul 15, 2010 15:16 |  #8

Like the rest said, play with curves and you'll eventually get it. Plenty of tuts on youtube. good luck and welcome


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BigAlz1
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Jul 15, 2010 17:17 |  #9

It's called Cross Processing and yes it's primarily done with curves.

A simple Google search will yeild many how too's.

Here is just the very first result.

http://www.photoshopsu​pport.com …/or/cross-processing.html (external link)




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vmichael@biktop.net
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Jul 15, 2010 17:32 |  #10

It can be done through adjustment of the curve but also its clear that each of the pictures has the sun at about 80-90 degrees in the night sky.




  
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Heathmeister
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Jul 15, 2010 17:48 as a reply to  @ vmichael@biktop.net's post |  #11

Aye, thank guys for all your input.
You learn something new everyday.


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C.Michael
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Jul 16, 2010 08:32 |  #12

Hey I REALLY like this style of photo as is. Can i ask how you achieved this? If it was a LR preset - what was it called?

Cheers.


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Walczak ­ Photo
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Jul 16, 2010 11:11 |  #13

In addition to the comments about cross-processing, there is another aspect of these shots as well that as a relative newbie, you may not know about...the rather limited DOF in most of them and the way the shots were composed. I'm not trying to insult your intelligence here so if you already know about these things, please disregard the comments...if not, please read on.

No offense to my esteemed colleagues here but the cross-processing is only part of what makes the look of these images. Looking at the shot of the VW there for example (which I really love), first you have a very limited DOF (that's Depth Of Field in case you didn't know) and very good use of the rule of thirds. Without those two things, the cross-processing alone would not really have been enough to carry the image (IMHO). Here the processing is really just the icing on the cake. Also, the angle these images were taking at is a huge consideration...in the third shot, while theres a fairly deep DOF, the rather dramatic angle really makes this shot and again the processing just puts it over the top.

Now typically these things are usually done on the camera...you -can- do them in Photoshop afterward but it's MUCH easier to get it at the camera in the first place. You get a limited DOF for example by using a really wide aperture on the lens (like f/2.8 as apposed to f/16 or f/22 which will give you A LOT of DOF). You can do this in PS too by using layers...seperate the foreground in to it's own layer then blur the back ground, but this is obviously a lot more work than just shooting it that way in the first place.

I wanted to address this because a lot of people seem to think that one element of an image or another is what makes the whole image. For example, some folks seem to think that a "sharp image" is automatically a "good image"...which is seldom the case. Sharpness, exposure or post processing is seldom enough to carry the image if the composition isn't interesting to begin with. In other words, the processing in these images is only -part- of what make the images work as a whole.

Again if you already got that, I wasn't trying to be insulting or anything...just wanted to clarify things a bit for you.

Just my $.02 worth,
Jim


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cjparlee
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Jul 16, 2010 11:51 |  #14

great info on this one. I too love this style of photography and I'm gonna experiment with it today much appreciated


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Heathmeister
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Jul 16, 2010 12:12 as a reply to  @ cjparlee's post |  #15

I tried it on some pictures i took over the weekend, and my results i was very pleased with.
Ya'll weren't kidding tho on how many tutorials there were for just "cross processing" alone.
I am a big fan of this now since finally knowing how to go about doing it in PS.


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How do you get this effect?
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