I shot two weddings last weekend; one Saturday and one Sunday. Interestingly, I didn't feel like I was doing well during the Saturday wedding, but those images actually came out stunning. Conversely, I felt like I was really on my game during Sunday's wedding, but don't think I've ever been so disappointed with the outcome (I'm sure I'm being hard on myself and the couple will actually be very happy, but I do indeed find them disappointing).
This has led me to take stock of my performance and really get deliberate about focusing in on what I want to improve about my work. And the reality is, these are all very simple basic things, some so basic they seem silly but I feel that these are the issues I really need to reign in. I thought I'd share them here to the extent that they may serve someone else, too.
- Make sure I've locked focus and focus found the subject. I use one-shot, center spot, and recompose. I still think that's the right approach for me, but too often, mostly during the reception, I'm trying to shoot quickly and fail to do this well.
- Be more deliberate about exposure. "Back in the day" of shooting film with an expectation of delivering only about 100 images to the client, I used to spot meter EVERY shot to make sure I got it just right (no photshop to help fix errors) and manual was the only metering mode my cameras had back then. Since going digital, I've been using AV and center-weighted metering, making adjustments with the thumbwheel in the interest of speed. Not bad, but too often, there isn't time or I don't think about adjusting with the thumbwheel (or worse, I make adjustments with the thumbwheel and neglect to set it back when I'm done). I think I'm going to go back to spot meter which will probably mean setting one of the back buttons to exposure lock. I think this will give me more accurate exposure more often, but it will be one more step and something else to think about for many shots.
- Take the time to really SEE the image through the view finder. Is my perspective what I wanted when I set the shot up? Am I cutting off feet, heads, or other appendages? Is a telephone pole emerging from the bride's head?
- Associated with that last item, I want to think harder about where the light is coming from and how to make it better. I used to be so deliberate about this and I need to get back to it.
- Be more aware of my shutter speed and be more steady with the camera. I tend to take the Ron Popiel approach when it comes to AV; set it and forget it. A few times on Sunday, my shutter speed dropped lower than I would've wanted. I could've pumped up my ISO, but just failed to realize my shutter speeds were getting down to about 1/30. Maybe not always a problem, but I wasn't being deliberate enough about holding steady. The pictures are plenty usable and the camera shake isn't apparent until you get to a 100% crop. But I've paid good money for an excellent collection of lenses and I'm just wasting it if I don't hold steady enough to reveal that additional level of sharpness.
- Chimp more for flash shots. I have a lot of ways to control flash in my arsenel and think I do a good job with it. I also like the flexibilty of shooting ETTL whether with bounced flash, off camera, or multiple flashes. But as much as ETTL is flexible, it is also a bit unpredictable. That's okay because I can always dial the flashes up or down if I see my shots for a given segment (like cutting the cake) are coming in hot or dark. But I can't fail to check so as to avoid having an entire segment coming in hot.
Once I restore better command of what can only be described as fundamentals, I'll get back to developing my creative eye, etc., but first things first.



But you'd think after looking at it 1000's of times I would know.
