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Thread started 27 Aug 2010 (Friday) 18:43
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making way at 2 knots - selenium effect monochrome

 
pixelmangler
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Joined Aug 2010
     
Aug 27, 2010 18:43 |  #1

This is a monochrome image derived from a colour image.

I was shooting a project for the RSPCA and I was driving a 9 metre RIB out of Weymouth harbour. The speed limit was 4 knots within the harbour walls and I was passing the marina at 2 knots and noticed the ripples made by the RIB. This image represents a simple one-handed grab shot in passing. My intention was to to try and make an attractive monochrome image from this single snapshot.

Exif Info:
Camera: Canon 1D mark II
Lens: 16~35mm f/2.8L (mark 1)
Focal Length: 20mm
Aperture: f/10.0
Shutter speed: 1/500th second
ISO: 400
Exposure mode: aperture priority

RAW processor: Aperture 3.0.3
Noise reduction: Nik Dfine 2.0
Monochrome conversion: Nik Silver Efex Pro

Method:
Remove luminance noise in Dfine 2.0 - Process in Silver Efex Pro with emulation of Kodak Panatomic X ISO 32 film - grains per pixel set at 500 and soft - Yellow filter applied - increase sensitivity to blue and cyan and apply a soft selenium tone to the image. No other processing was required.


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if you keep on doing what you have been doing, you're going to keep on getting the same result

  
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Randy1213
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Aug 28, 2010 10:08 |  #2

I like it. Amazed at how sharp it is, given that you shot it from the water and with a non-IS lens at f/10. Even at 1/500 sec., that's a situation where I likely would have gotten some blur. You deserve credit just for that! I also like the conversion very much. Wondering why you had to apply any noise reduction, though. But as for the conversion itself, I think it's excellent and may try your "recipe" myself on some photos. As for the photo, I too have shot wavy lines created by reflections in ripples and really like them. Just wondering if you can't get them with this same sharpness and BW conversion in a composition a bit simpler. This is a lovely photo as-is but, in my humble opinion, I think a simpler composition would make it even better. Thanks for sharing the photo and the details.


No-Excuses Kit: 1Ds Mk III, 1D Mk IV, 60D (IR Only). Lenses (all Canon): 16-35m f/2.8 L, 24-70mm f/2.8 L, 24-105mm f/4.0 L IS, 70-200mm f/2.8 L IS, 100-400mm f/4.5-5.6 L IS, 85 mm f/1.2 L MkII, 100mm f/2.8 macro, MP-E 65mm f/2.8 macro, 15mm f/2.8 fisheye. Support : Gitzo 3541L + RRS BH-55 LR Ballhead.

  
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pixelmangler
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Aug 28, 2010 11:04 |  #3

Thank you for your kind comments, Randy. I went through a period where the 1D mark II was my first choice for marine based images. I loved the stability that the weight of the camera body imparts to the process... I used a Nikon F2AS/MD1 for 3 decades and I like to feel I am holding a substantial camera. ;)

I came to know the 16~35mm lens pretty well on that particular shoot and when it is used with the APSh sensor of the 1D mark II, it seems to be a very good copy and it appeared to be rectilinear at 20mm, with fairly insignificant edge distortion. An addition to my shooting is a hand strap and a wide neck strap. The hand strap makes the camera easy to hold, even by your fingertips if needed when shooting in awkward locations, and the neck strap is wrapped around my shooting arm in a manner that lets me shoot while pushing outwards with my arm and bracing the camera against the strap and when holding the camera to my forehead, it is reasonably stable if a little heavy to maintain the position for longer than say... 10 seconds without having to readjust position.

The noise reduction was applied in the processing for this image because I wanted to have as smooth a conversion as it was possible to get, so that I could emulate the 32 ISO film I had chosen as accurately as possible. (I had picked Kodak Panatomic X for its deep blacks and creamy whites)

Like all grab shots, we don't usually get to choose the exact circumstances surrounding the shot and if I was setting the shot up, I would have taken some care to get a much cleaner and less busy composition in the image frame. I don't usually have the time to shoot very much for myself but if I did, then these are the kind of mono image conversions images I would want to make. Thanks for stopping by and making some encouraging comments. :)

Randy1213 wrote in post #10805684 (external link)
I like it. Amazed at how sharp it is, given that you shot it from the water and with a non-IS lens at f/10. Even at 1/500 sec., that's a situation where I likely would have gotten some blur. You deserve credit just for that! I also like the conversion very much. Wondering why you had to apply any noise reduction, though. But as for the conversion itself, I think it's excellent and may try your "recipe" myself on some photos. As for the photo, I too have shot wavy lines created by reflections in ripples and really like them. Just wondering if you can't get them with this same sharpness and BW conversion in a composition a bit simpler. This is a lovely photo as-is but, in my humble opinion, I think a simpler composition would make it even better. Thanks for sharing the photo and the details.


if you keep on doing what you have been doing, you're going to keep on getting the same result

  
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joe ­ orch
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Location: S.E. Wisconsin
     
Aug 28, 2010 19:34 |  #4

Nice picture. I like the feel of BW in this image. Being new to digital photography I don't really understand the digital processing, but you did a great job. Someday I hope to produce some fine prints like yours.

Joe


Canon T1i • 18-55mm
Canon Power Shot A570IS

  
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making way at 2 knots - selenium effect monochrome
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