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Thread started 09 Sep 2010 (Thursday) 16:40
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Canon 1D MkIV purple fringing - PLEASE HELP!!

 
fusionphoto
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Sep 09, 2010 18:25 |  #16

Lens not body !!


Use Canon 10D, 40D, 1D Mk1, 2 & Mk4 plus a 1Ds and 5D Mk2. Canon lenses (fav 24-105 f4L). Nikon D2HS and Fuji X Pro 1 & 2. Love um all :lol:
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TaDa
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Sep 09, 2010 18:27 |  #17

phreeky wrote in post #10880902 (external link)
That is horrible CA. But I've seen other complaints of the CA from the 85 F/1.2 so I'm not overly surprised.

F/2 or so wouldn't have ruined those shots.

They're not ruined. a) some of the fringing can be fixed in post. Since there is no purple in the actual picture, turn down purple saturation and you're halfway there. For some shots where I've caught a subject against a white background, you'd be surprised how happy a customer is with a well converted black and white image :)


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airfrogusmc
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Sep 09, 2010 18:29 as a reply to  @ post 10880902 |  #18

I mean 1.2 is more than two full stops faster than 2.8. There are just going to be some problems at 1.2. Its just physics and unless Canon was to ad a fluorite element and then the lens would even cost more than it does now, theres going to be some CA at 1.2. In most shooting situations that require you to shoot wide open its really not much of a problem and in those dark situations when 1.2 is the only option you ain't gonna get the shot with the zoom.

One of the only really fast lenses that I know of that doesn't show CA is the 200 2L. I mean Canon could make an 85 1.2 lens that would almost be CA free but would you spend 4K + on it?




  
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tinycomet
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Sep 09, 2010 18:30 |  #19

haha no no TaDa I gotcha ;)

Ok so basically... Solution = Don't shoot such high-contrast situations with 85mm when wide-open or at least close it down to 2.0 or so to avoid CA?




  
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phreeky
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Sep 09, 2010 18:30 |  #20

TaDa wrote in post #10880924 (external link)
They're not ruined.

I wasn't implying they were! :D What I meant was that stopping down a bit would've reduced the CA, and the smaller aperture wouldn't have greatly taken away from the images.




  
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TaDa
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Sep 09, 2010 18:32 |  #21

airfrogusmc wrote in post #10880943 (external link)
I mean 1.2 is more than two full stops faster than 2.8. There are just going to be some problems at 1.2. Its just physics and unless Canon was to ad a fluorite element and then the lens would even cost more than it does now. In most shooting situation that require you to shoot wide open its really now much of a problem and in those dark situations when 1.2 is the only option you ain't gonna get the shot with the zoom.

One of the only really fast lenses that I know of that doesn't show CA is the 200 2L. I mean Canon could make an 85 1.2 lens that would almost be CA free but would you spend 4K + on it?

That too. For the amount of fluorite that they'd have to use to control all aberration on a 1.2 lens, the 85L would be pretty much made of 10 fluorite elements and cost a little less than a new car.


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TaDa
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Sep 09, 2010 18:32 |  #22

tinycomet wrote in post #10880951 (external link)
haha no no TaDa I gotcha ;)

Ok so basically... Solution = Don't shoot such high-contrast situations with 85mm when wide-open or at least close it down to 2.0 or so to avoid CA?

ding, ding, ding...give the man a ceegar!


Name is Peter and here is my gear:
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L, Canon 85 f/1.2L II, Canon 70-200 f/2.8L IS II, Canon 500 f/4L IS
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tinycomet
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Sep 09, 2010 18:34 |  #23

TaDa wrote in post #10880967 (external link)
ding, ding, ding...give the man a ceegar!

Cuban please :P




  
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TaDa
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Sep 09, 2010 18:35 |  #24

By the way, it hasn't been said yet, but I like the captures. You had a great couple to work with. Good to see that they were good sports. Don't know if biting your wife's head like an apple is 11x14 material, but they look like they had a blast :). Good job letting them be themselves.


Name is Peter and here is my gear:
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Glass - Zeiss 21 f/2.8 ZE, Canon 35 f/1.4L, Canon 40 f/2.8 STM, Canon 24-70 f/2.8
L, Canon 85 f/1.2L II, Canon 70-200 f/2.8L IS II, Canon 500 f/4L IS
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RTPVid
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Sep 09, 2010 22:58 |  #25

fusionphoto wrote in post #10880916 (external link)
Lens not body !!

CA is

"color fringing" ... caused by the camera lens not focusing different wavelengths of light onto the exact same focal plane (the focal length for different wavelengths is different) and/or by the lens magnifying different wavelengths differently.

whereas purple fringing is

chromatic aberration at microlens level

in the sensor. One is a lens issue; the other is a body/sensor issue.

... purple fringing is visible throughout the image frame, unlike normal chromatic aberration. Edges of contrasty subjects suffer most, especially if the light comes from behind them... Blooming tends to increase the visibility of purple fringing.


Quotes from dp review.com - Chromatic Aberration (external link)


Tom

  
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tinycomet
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Sep 09, 2010 23:19 |  #26

@TaDa thanks :) I do my best to get myself in a position where they are no longer aware of my presence :D

@RTPVid, are you suggesting a body/sensor problem?




  
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thatkatmat
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Sep 09, 2010 23:48 |  #27

It's not the body, it's the 85L....If it's the 85L (version 1) it's even more noticable...Anything under f2 will have a tough time in those situations.


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RTPVid
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Sep 10, 2010 06:42 |  #28

tinycomet wrote in post #10882362 (external link)
...@RTPVid, are you suggesting a body/sensor problem?

More like a sensor characteristic or limitation. The sensor has millions of tiny lenses (microlenses) covering the sensor elements (pixels). These microlenses are subject to the same optical issues as any other lens, including chromatic aberration. The "white" areas of your pictures are overexposed and have exceeded the dynamic range of the sensor. This can result in "blooming" (spilling over of charge to neighboring sensor elements) which tends to increase the effect of microlens CA. If this is what you are seeing, the purple fringing would be present with similar subjects shot with similar over-saturation of the sensor regardless of the lens. However, it would need to be a "fast" lens to get the same over-saturation effect, hence you are more likely to see this with your 1.2 lens shot wide open than with that same lens stopped down (or with other slower lenses). But, if you can create the same effect with the slower lens and a slower shutter speed, then it is a sensor "feature".

Sensor designers build anti-blooming into the electronics, but even this can be overwhelmed with extreme overexposed areas with high contrast.

CA from your lens will tend to be toward the edges of the frame and can be in cyan, red, etc., whereas CA from the sensor microlenses will be purple and occur throughout the frame.

You could try film for your high key shots! ;) Or, fix it in post-processing.


Tom

  
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jacobsen1
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Sep 10, 2010 09:41 as a reply to  @ post 10880914 |  #29

it's the lens... Interesting you never saw the fringing on the 1Diii or did you not have the 85L then?

here's an example of my own:

IMAGE: http://www.benjacobsen.com/wp-content/gallery/canobie-lake-2010/img_3712.jpg

also, notice on your music sheet how it's green for half and magenta for the other half? The fringing is actually MUCH worse in OOF areas, and I've found it does one color in front and the other color behind what's in focus. So you can see where the lens is focusing. You might want to MA this lens on your body and see if it helps the fringing at all.

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Gel
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Sep 10, 2010 10:18 |  #30

I agree, the 85L wide open in high contrast situations has that.


Chris Giles Photography

  
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Canon 1D MkIV purple fringing - PLEASE HELP!!
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