Memory_Junction wrote in post #12195550
C&C:
Fill flash is supposed to soften harsh shadows. Instead it is being used here to create them. You seem, instead, to be trying to use the flash as a kicker, to create bright highlights.
Some basic observations:
1) The closer a fill light is to the axis of the photo, the better. This is why glam photographers love ring lights. Why even take it off the camera? If you are taking the flash off the camera and placing it in strange places, then it is not fill you are trying to achieve. It becomes a key light or a kicker.
2) For natural lighting, you wnat one dominant light source. In your pictures there are several. It confuses the eye a bit.
3) We are accustomed to light sources coming from above. Shadows appear below noses, etc. In several of these pictures, the flash is placed below the axis of the camera. It creates ghoulish shadows.
4) Try backing off the exposure of your flash a bit. It is overpowering ambient light, and if your intent is fill then it needs to be a couple stops darker.
There's some great portrait primers on the Internet, and even some videos on YouTube (although I've also seen some dross). Keep it up, and you'll get there!
Thanks for all the comments. I was a bit limited in the tools I had to work with. I had a beauty dish and stand in the trunk of the car, but I didn't want to drag that around through the hotel and restaurant. I just had to sit the bare flash where I could find a place to balance it - which was below the lens axis for #1, 2, and 5.
For the first pose, I took many without any flash, but her eyes were very shadowed regardless of which way she faced. I suppose I should have used the ambient (shaded sunlight) as the key light, and left the Speedlite on the camera, and dialed it way down to fill the eyes? I was afraid that would flatten everything too much.
I'll keep experimenting. Thanks again for the tips.