I read that the 'EOS-1Ds Mark II produces images with outstanding colour rendition and dynamic range. It has sufficient resolution to produce files which convert to 50MB uncompressed TIFF at 24 bit colour depth'
Does the 20D or 5D do that as well??
ISimonius Weather Sealed Photographer 6,508 posts Gallery: 19 photos Best ofs: 2 Likes: 49 Joined Feb 2005 Location: On a Small Blue Planet with Small Blue People With Small Blue Eyes More info | Aug 26, 2005 15:49 | #1 I read that the 'EOS-1Ds Mark II produces images with outstanding colour rendition and dynamic range. It has sufficient resolution to produce files which convert to 50MB uncompressed TIFF at 24 bit colour depth' Veni, Vidi, Snappi
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cdesperado Senior Member 566 posts Joined Aug 2005 More info | Aug 26, 2005 17:13 | #2 Im not sure people understand what you are asking, but I will take a stab at it.
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tim Light Bringer 51,010 posts Likes: 375 Joined Nov 2004 Location: Wellington, New Zealand More info | Aug 26, 2005 17:29 | #3 With the 20D/300D, and probably the 1 series, If you shoot RAW it's 12 bits, when you convert it to TIFF in photoshop you can choose 8 or 16 bit. Your eye can't see the difference, but it's good to have the extra information if you're doing a lot of manipulations on the image. JPG are 8 bit. Professional wedding photographer, solution architect and general technical guy with multiple Amazon Web Services certifications.
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jfrancho Cream of the Crop 6,341 posts Joined Feb 2005 More info | Aug 26, 2005 17:36 | #4 I thought it was 8 bits per channel for jpeg, so 3x8 would be the 24 bits you've referred to.
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CyberDyneSystems Admin (type T-2000) More info | Aug 26, 2005 17:56 | #5 Yes.. 24bit is what we cal 8 bit.. (8X3) GEAR LIST
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Jesper Goldmember 2,742 posts Joined Oct 2003 Location: The Netherlands More info | cdesperado wrote: Generally speaking, most shooters wont be using 24bcd anyway - 8 or 16 is far more common. (Eight is pretty much the standard.) It might help if you explained why you are asking. Wait a minute, you're confusing some things. Canon EOS 5D Mark III
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ISimonius THREAD STARTER Weather Sealed Photographer 6,508 posts Gallery: 19 photos Best ofs: 2 Likes: 49 Joined Feb 2005 Location: On a Small Blue Planet with Small Blue People With Small Blue Eyes More info | Jesper wrote: Wait a minute, you're confusing some things. With 24 bits per pixel, people usually mean 3 channels (R, G, B) x 8 bits per channel. Almost all digital cameras record 12 bits per channel (except some medium format digital backs which cost $20,000 or $30,000 - they record 16 bits per channel). Now the JPEG file format doesn't support 12 bits per channel - it only supports 8 bits per channel. So if you save your photos as JPEG, you throw away the four least significant bits. The TIFF file format supports 8 or 16 bits per channel. If you want to keep all the 12 bits per channel of information that the sensor produced, you should convert your RAW image to a 16-bit TIFF. Note that the four least significant bits of those 16 bits will simply be set to zero. Conclusion: You have more dynamic range if you shoot in RAW and convert your RAW files to 16 bit per channel TIFF files. Look here for an in-depth description: Tonal quality and dynamic range in digital cameras If you want to calculate the uncompressed file size, it's very easy: (width of image in pixels) x (height of image in pixels) x (bytes per channel) x (number of channels) Remember 8 bits = 1 byte, so bytes per channel = 1 for 8 bits per channel, or 2 for 16 bits per channel. 1Ds Mark II / 8 bpc: 4992 x 3328 x 1 x 3 = 49,840,128 bytes (47.5 MB), 16 bpc: 95 MB 5D / 8 bpc: 4368 x 2912 x 1 x 3 = 38,158,848 bytes (36.4 MB), 16 bpc: 72.8 MB 20D / 8 bpc: 3504 x 2336 x 1 x 3 = 24,556,032 bytes (23.4 MB), 16 bpc: 46.8 MB Thanks I think that answers it, and thanks to everyone who had a stab at it. Veni, Vidi, Snappi
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