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Thread started 20 Nov 2010 (Saturday) 19:48
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Nov 21, 2010 18:43 |  #31

JeffreyG wrote in post #11320780 (external link)
It's like 110 format and the APS systems never happened, isn't it.
I'd never tell a beginner to get a film camera. You can learn much faster with digital because it takes notes and because you get instant feedback. Plus experimentation comes at no cost.

I'd tell a beginner to get a nice 1.6X body like a T2i.

+1.

I almost gave up photography due to the poor print job from my local camera store.

And digital photography give me the instant, and true feed feedback. And I can lean from my mistake and improve my technics all time.


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JeffreyG
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Nov 21, 2010 18:45 |  #32

Delija wrote in post #11322914 (external link)
A "bad idea"? Yes, developing and printing cost money (I wouldn't necessarily say "expensive") maybe a worthwhile investment to get people to slow down and do things right. And if using black and white, not "expensive" at all...and black and white is IMO the best way to develop technique using light and shadow.

Using film pretty much forces photo students while developing camera skills to slow down and really think about composition and exposure and the use of light and shadow. They won't just use a "shotgun" approach and take 100 pictures in the hopes of getting one decent one. A monkey can do that.

Exif data? The ISO/ASA is going to be the same for each roll of film, so the photographer will know that. If it's important to keep track of shutter speed and aperture for every frame, frame numbers have been on cameras for more than the last 100 years. Before they had mechanical counters like EVERY SLR, they had little windows that showed the frame number on the film's paper backing. Add that to the use of a pencil and paper and there you have it. All the information you can possibly need. And really more if you add in readings from a light meter, the angle of the sun, what kind of filter may have been used, etc., etc. Elements that EXIF never shows.

Shooting film is a slower and more deliberate way of taking photos. Does that help develop technique? I think it does, you may feel differently. We are both entitled to our opinions. But I won't say "bad idea"...I'll just say I feel the way I do and explain why, which is what I tried to do. I think the EXIF argument should be over.

It was a suggestion. I realize that for a lot of younger people its very likely that they may never have used film (SLR as I originally meant, but thinking about it now - possibly ANY film at all).

I understand your point, but I don't agree with it. I will admit though that this might also be related to the motivational level of the student.

My own history. I first started taking pictures around 1990, my sister and I went backpacking across Europe and we took a nice Nikon SLR and a couple primes. The only problem was, neither of us were really photographers. Still, we got some nice pictures.

I did not move from the 'camera = magic picture box' level of photography until my first dSLR in 2005.

A big part of my 15 year prolonged ignorance was lack of motivation. I was not interested in becoming a photographer. But another part of it was how much easier digital technology made it to learn.

I'll also state that the internet increased my speed of learning.

I think if you take a motivated newbie who really wants to learn, they can do so with either film or digital. Either way, they will get shots that do not work. I think digital is good for the rapid feedback and bad (to some extent) for the 'spray and pray' approach.

But really - even a near hopeless spray and pray shooter will eventually realize that 600 shots in terrible light result in 600 bad shots.


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Nov 21, 2010 18:48 |  #33

Well... obligatory chime in here...

I'll go against the grain and say NO. Even at $400 less than new, $1800 can buy you some damn impressive glass which would give more improvement than a new body would. Especially if you like birds or wildlife, a 7D would be a better choice if you HAD to upgrade body.

People over emphasize differences between bodies (in terms of IQ), it is splitting hairs unless you are really comparing cameras that are several generations apart.


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Nov 21, 2010 18:54 |  #34

Delija wrote in post #11323314 (external link)
...I agree it does not require film to slow someone down so they are doing it right...but human nature being what it is, it is more likely than using digital...

Shooting with film SLR definitely tells you to slow down and makes you think twice, maybe thrice, before pushing that button cause film ain't cheap if you burn through it like you would a Digital SLR.

I took a photography class a yr ago, first and only one since, and it definitely makes me think about what I am shooting before i fire away.


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Nov 21, 2010 19:07 |  #35

twoshadows wrote in post #11322960 (external link)
I never shot with a 35mm slr, only 1.7x, 1.6x, 1.3x and FF Dslrs. Never took a class in photography. I've been shooting for 7 years and teaching for 1. Digital is the new, great teacher and it doesn't take film to slow someone down so they're doing it right.

Delija wrote in post #11323314 (external link)
OK....can you explain WHY "digital is the new great teacher"?

I agree it does not require film to slow someone down so they are doing it right...but human nature being what it is, it is more likely than using digital.

I'm impressed that anyone can have never used a 35mm film SLR and somehow KNOW that a dSLR is a superior teaching tool.

I don't doubt that you are the DaVinci or Einstein of photography who is self taught and can teach without a formal education. But your you lose credibility by making a statement of fact based on an opinion with no personal experience to substantiate your claim.

If you can't see the absurdity of making a such a claim, I don't know what to say. You may as well tell us that while you have never tasted ice cream, it is a superior desert compared to cake.
:rolleyes::rolleyes:

Can I ask how old you are? (and get an honest answer)

D.

Hi Delija,

Why digital? Instant results. It is sooo much easier/faster (for most) to learn when the stimulus for change is immediately apparent. Also, more people are familiar with computers and electronics in general, making teaching digital easier.

And lol about being a DaVinci of photography :lol: . I'll take that as a compliment ;) . Fwiw, I've been asked to teach so many times over the last 2-3 years that I finally acquiesced, realizing that I am naturally motivated to teach photography. Am I qualified? Not on paper, I guess, but I leave it to my students and the people who hire me to decide. :) Also know that teaching is a pathway to learning for me. I am sure there is more that I don't know than I do and my students sometimes help me to find the questions so that I may provide the answers.

I'm not sure I wrote that digital is a "superior" teacher, although I suspect it to be so because it is faster and easier in most instances. I did write that it is the "new, great teacher" and that of course is because of the instant results and society's (esp the young one's) existing aptitude for technology. So, no, my comments aren't absurd.:rolleyes:

Btw, I'm 46 and discovered photography later in life.


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Nov 21, 2010 19:17 |  #36

I need to do this but I need a lens as well and that's what's holding me back. Ugh, I want my 5D!


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Nov 21, 2010 19:26 |  #37

I got interested in photography ONLY because it is digital ;)


I know more about gear than I know about photography :p
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Nov 21, 2010 19:29 |  #38

alpha_1976 wrote in post #11323630 (external link)
I got interested in photography ONLY because it is digital ;)

Same here and same for many of my students...


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Nov 21, 2010 19:57 |  #39

First off all, I went from a 40D to a 5D and, like posted previously, it has been the single biggest jump in IQ, I have seen.

Secondly.. I shot film for about 15 years and I would never go back to film. I don't think, shooting concerts, or anything else for that matter, I would be able to learn a damn thing, if I was still shooting film. After 15 years I don't think I learned all that much, to be honest. I did do my own darkroom developing/printing etc......

There is a reason most hobbyists and many pro concert photographers shot B&W. Very forgiving.

How you learn shooting film. Take a shot... make notes of all your camara settings and lighting conditions. After finishing a roll of film, go and develop negatives. Try and figure out if anything is actually worth printing, (print a contact sheet). Then go and print using your standard procedures. Look at print. Maybe go back and change the printing part of it (vary time in chemicals, dodge, burn, expose more/less). At the end of all of this you might have a print you are really proud of.

Let's move forward..... Take a shot. No need to write anything down... all is in the EXIF. Review hostogram. Maybe reshoot, if a still life. It won't cost you .01c to reshoot. Go home, load image on computer, knock yourself out during post, print or post on web. You're done. I'm assuming you actually got the image in focus and didn't screw up the exposure.

I have always been result oriented. I don't care how you get there, as long as you get there. For me, the goal is the image, not the process.


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Nov 21, 2010 20:04 |  #40

KRUSH wrote in post #11319208 (external link)
In one profound word "YES"

Think that really sums it up for me too! :D

My nieces husband had a 20D (I was shooting my 10D at the time)

He upgraded to a 30D and not long after, I got my 5D.

I asked if he wanted to try it out ... all he could say was "HOLY S#!T!!!" and he wouldn't give it back until he took a bunch of shots on his CF card.


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Nov 21, 2010 20:45 |  #41

Aside from more out of focus backgrounds and less noise at high, high ISO speeds, I don't see much difference in image quality between crop and full frame (unless I'm out on a vendetta to scrupulously find all the inadequacies between a crop and a full frame image set up side-to-side). Albeit, I only look at photos displayed on my monitor and not large prints. I would get a 5D for the large viewfinder though.




  
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Delija
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Nov 21, 2010 20:54 |  #42

alpha_1976 wrote in post #11323630 (external link)
I got interested in photography ONLY because it is digital ;)

Not an unexpected or unique experience I'm sure. People love instant gratification. Digital photography provides that.


Wow, what a nice picture! You must have a really great camera!

  
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Nov 21, 2010 21:31 |  #43

Delija wrote:"Still, l believe that to truly be a well rounded and professional photographer, it is essential to be familiar with film and the entire process. I don't know why it takes repeating - if you wish to be a hobbyist, then digital is all you need."

I think that being well rounded is good, and someday I might explore film, but it is not necessarily required anymore to be a professional. We have graduates coming out of one particular photography school here in the Northeast that are in no way ready for a profession in photography. I couldn't tell you why this is as I've never attended their school, but graduate after graduate has come to this area very unprepared. Some of them are my friends and colleagues and I can tell you they've learned the majority of what they know and use "on the street" so to speak.


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Nov 21, 2010 22:07 |  #44
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SkipD wrote in post #11320814 (external link)
The first quote above is just a group of words with no collective meaning - at least none that makes any sense. :rolleyes:

Either that or every lens has distortion. Wide angle makes the closest object larger, and the farther away stuff smaller. Telephoto brings objects closer together, and makes them larger. If you put a crop factor in, you'll be seeing a crop, and the distortion won't be as prevalent.


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Nov 21, 2010 22:49 |  #45
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[QUOTE=Delija;11322914​]

anthony11 wrote in post #11320729 (external link)
SLR's mostly are, but not all [/quote}
Sorry - I meant 35mm SLRs.

A "bad idea"? Yes, developing and printing cost money (I wouldn't necessarily say "expensive") maybe a worthwhile investment to get people to slow down and do things right. And if using black and white, not "expensive" at all...and black and white is IMO the best way to develop technique using light and shadow.

Using film pretty much forces photo students while developing camera skills to slow down and really think about composition and exposure and the use of light and shadow. They won't just use a "shotgun" approach and take 100 pictures in the hopes of getting one decent one. A monkey can do that.

Exif data? The ISO/ASA is going to be the same for each roll of film, so the photographer will know that. If it's important to keep track of shutter speed and aperture for every frame, frame numbers have been on cameras for more than the last 100 years. Before they had mechanical counters like EVERY SLR, they had little windows that showed the frame number on the film's paper backing. Add that to the use of a pencil and paper and there you have it. All the information you can possibly need. And really more if you add in readings from a light meter, the angle of the sun, what kind of filter may have been used, etc., etc. Elements that EXIF never shows.

Shooting film is a slower and more deliberate way of taking photos. Does that help develop technique? I think it does, you may feel differently. We are both entitled to our opinions. But I won't say "bad idea"...I'll just say I feel the way I do and explain why, which is what I tried to do. I think the EXIF argument should be over.

It was a suggestion. I realize that for a lot of younger people its very likely that they may never have used film (SLR as I originally meant, but thinking about it now - possibly ANY film at all).

Point and shoot digital cameras have been common and at least somewhat affordable for about 10 years. So a 20 year old who picked up his or her dad's then new 2mp digital camera at age 10 or a 15 year old who started at 5 could easily have never used any kind of film camera. Younger kids may not have even ever seen a film camera up close and possibly never will.

Top film schools like USC, UCLA, Northwestern, Miami, Texas, and every Ivy League school all teach using film - for several reasons. Some of which I refereed to, also the great majority motion pictures are still shot with film -

You don't need to argue with me - it's just how it is.

Arguing and telling me something is a "bad idea' is constructive how? I thought these forums were meant for -the exchange of information as well as opinions and ideas and meant to be helpful, not confrontational.

Feel free to disagree, but to tell me I'm wrong and what I said is a "bad idea"? LOL You want to argue, do it with your friends or with people who you know or know about. That would certainly not include me.

I have a degree from one of the above mentioned film schools with graduate work in journalism that included photo-journalism courses at the very largest of the Ivy League programs. I also worked in the industry for over 40 years. I'm sure that to many their knee-jerk reaction will be that I am a "dinosaur" and behind the times.

I guess that's true - I haven't worked on a motion picture since last June, so maybe the world has changed dramatically since then. But if that's the case then people are spending over $40K at some of the (private) schools I mentioned each year to learn obsolete technology. :) My parents got off a lot cheaper when a college education was a lot more affordable..not me though - my daughter graduated from Northwestern in 2007 with a degree in journalism - my average cost over the four years was $46K per year plus travel. But she got a job offer with ESPN before she even graduated and now makes enough money that it was a very good investment.

No idea what you are even talking about.

First off.....I'll say it again. I MEANT TO SAY 35MM SLR FILM CAMERAS!!!!

But that being said, I don't know a thing about the G6 - is 24-105 what the 35mm focal length equivalent is on that camera? Are you even talking about a Canon G series camera or something else? If it's a Canon "G", then isn't that a digital camera? (I really don't know) -if it is, I don't even understand your question, let alone you "challenge" ???????

I have never used a film camera with a smaller than 35mm format. As a little kid I remember having a cheap twin lens reflex camera, but it was a manual camera - and it took 120 film which was the standard for small cameras (the film all Kodak Brownies used for over 60 years)..IIRC, the film was 56mm in height and larger in width depending on the aspect ration of the camera and lens. Since the pictures I still have are square, I'd say the negatives were 56x56mm -

I have however used larger more modern medium format film cameras..still have a old Hasselblad 500c I got for my college graduation gift from my dad (who was a photographer)... and just sold my SpeedGraphic 4x5 less than a month ago...I used large format (8x10) film cameras in my very first job out of college and guess what? A 135mm lens on a 500C camera is not long enough (for my style of shooting) to be used as an effective portrait lens. A 135mm lens on a large format camera would be a wide lens. So does it matter what is printed on the camera lens? Having a "full frame" camera like a 5D doesn't mean that a 50mm lens will look like a 50mm lens SHOULD look, it just means it will look how a 50mm lens will look on a 35 (36)mm sensor (or a frame of 35mm film). It is no more or less "right or wrong" on an APS-C or APS-H or a medium format film or digital camera or a large format film camera (which are still used every single day for product photography) - nothing is "right or wrong"...just different.

If you want to think this is about "ego", fine...I'm not the one here challenging anyone or telling anyone what can and can't be done with a particular camera. If you want to debate the use of studio lighting or how to best use natural light, then fine - I'll go back and forth with you on that all you want since it's what I know about and got paid to know about. But I have no friggin' idea what a G6 is let along what it can do. What would make you think I would? And what would that have to do with my statements that using a film camera can be a useful teaching/learning tool or that the focal length of a lens doesn't mean jack as far as being meant to be "proper" only for what YOU consider a "full frame" camera?
:confused::confused::confused::confused::confused:


I work for a Movie studio/company doing editing. Learning on film or digital doesn't really matter anymore, since the digital techniques are based on film. Digital is so far ahead of film now it's borderline ridiculous. What does any of this have to do with the OP wanting to go Full frame?


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