QueenChatty wrote in post #12078442
Aweeeeeeeeeee I guess that means I can never have you shoot my dark browns LOL! I know they are hard to make pop!
Hey if you're paying I won't turn ya down. When do wanna do it? 
Mjkxxl wrote in post #12078445
Just a quick question on lighting on that particular shot Ryan. Is it natural lighting over her right shoulder (Camera left) and then single strobe coming from the front (not sure which side)?
Also what light modifier did you use since I so can't tell by the catch lights in her eyes. Just curious as I look through these threads I try to guess on what was used and how. Figure it will help me out once I start shooting with strobes to have an understanding of how shots like yours come about.
Also love the the tiny bit of lens flare that you can see just barley in her hair camera left then stops right where the hair meets the face....amazing if you planned it that way!
AB1600 in 64" diffused PLM camera left (might of been the softlighter2, they are basically the same thing anyway). Placement right next to my lens/shoulder. I think I might of had a reflector camera right as well. I know I had it there and used it before this shot, but I can't remember if I had my assistant grab it for a some slight fill on under camera and to the right. Actually I think I did have it there...Everything was planned; hand placement, pose, sun, flare, lighting, etc. I knew the spot and knew the sun would be shooting through those trees. I wanted to backlight her with the sun with a little bit of flare coming through, but with a tight crop. It even looks really good in black and white. Almost uploaded it in black and white instead color.