Here’s some more from the same shoot using the CheetahStand Snub 38.
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mhickman Senior Member More info | Jul 14, 2019 12:39 | #11656 Here’s some more from the same shoot using the CheetahStand Snub 38. Image hosted by forum (988193) © mhickman [SHARE LINK] THIS IS A LOW QUALITY PREVIEW. Please log in to see the good quality stuff. Image hosted by forum (988194) © mhickman [SHARE LINK] THIS IS A LOW QUALITY PREVIEW. Please log in to see the good quality stuff. Canon EOS R6 • Canon EOS R
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mhickman Senior Member More info | Jul 14, 2019 12:40 | #11657 Snub 38 again. Image hosted by forum (988195) © mhickman [SHARE LINK] THIS IS A LOW QUALITY PREVIEW. Please log in to see the good quality stuff. Image hosted by forum (988196) © mhickman [SHARE LINK] THIS IS A LOW QUALITY PREVIEW. Please log in to see the good quality stuff. Canon EOS R6 • Canon EOS R
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ImageMaker... looks like I picked a bad week to give up halucinagens More info | I like the Elinchrom hard reflectors. Nikons, Rolleiflexes, Elinchroms, Broncolor Paras, Billinghams
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bobbyz Cream of the Crop 20,506 posts Likes: 3479 Joined Nov 2007 Location: Bay Area, CA More info | Jul 14, 2019 16:05 | #11659 So should I look at the colt 45 or this cheetahstand snub 38? Fuji XT-1, 18-55mm
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windpig Chopped liver More info | Jul 14, 2019 16:08 | #11660 Angmo wrote in post #18893541 I like the Elinchrom hard reflectors. This one from 30+ feet away from the model. 16” “Fireball” reflector The Fireball is No ka oi Would you like to buy a vowel?
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mhickman Senior Member More info | Jul 14, 2019 16:38 | #11661 bobbyz wrote in post #18893623 So should I look at the colt 45 or this cheetahstand snub 38? Colt will give you one foot of spread for each foot of distance and throw the light a little further, whereas the Snub is good spread for closer shots. Both are great in windy conditions compared to an umbrella. Canon EOS R6 • Canon EOS R
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PLLphotography with the TF More info Post edited over 4 years ago by PLLphotography. | Jul 14, 2019 17:44 | #11662 Evertking wrote in post #18893308 Don't really have a setup to show but I have some images I'm trying to get some advice on when using OCF. When you set up your ambient how many stop under do you use also what metering mode and where do you meter at? Thanks. Hosted photo: posted by Evertking in ./showthread.php?p=18893308&i=i49536615 forum: Flash and Studio Lighting Hosted photo: posted by Evertking in ./showthread.php?p=18893308&i=i105390892 forum: Flash and Studio Lighting At what distance do you keep you modifier? In these I am using a AD600 and a 32 Inch SBox. I didn't see anyone answer yet, so here's what I usually do. Phillip - phillipwardphotography.com
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ImageMaker... looks like I picked a bad week to give up halucinagens More info | Jul 14, 2019 18:28 | #11663 windpig wrote in post #18893626 The Fireball is No ka oi Agree!! She made a poster size print. Really nice. Nikons, Rolleiflexes, Elinchroms, Broncolor Paras, Billinghams
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Darkroomimagesby616 Senior Member More info | Great job you both did. She is awesome as she does this for the first time. Photographers are violent people, first they frame you, then they shoot you and after that they hang you on the wall.
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bobbyz Cream of the Crop 20,506 posts Likes: 3479 Joined Nov 2007 Location: Bay Area, CA More info Post edited over 4 years ago by bobbyz. (4 edits in all) | I shoot mostly single subjects. My goto modifiers are medium softbox or the 37" SP systems octabox (Elinchrom deep octa clone). Now I shoot mirrorless so I adjust my ambient looking through EVF and add flash. Since I shoot mostly f2, I have to shoot higher than sync speed if it is bright in the back ground. And I can't meter it with my L358 so I just eye ball it. How much ambient/flash, it depends on what I am trying. darker bg, more flash power More balanced flash/ambient Shooting mode wise, I am 100% manual. Strobes in manual mode also though I can use them in TTL mode. Never used spot metering etc. I do use flash meter to check my exposure but only when at or under my max sync speed. I typically go for little over-exposed face. I also prefer brighter bg than totally dark bg. That's just my style. Even with my camera's very slow sync speed (1/125), I can shoot wider aperture during afternoon by putting the subject in shade and letting bg over-expose. f2, 1/125, ISO100 Fuji XT-1, 18-55mm
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windpig Chopped liver More info | Jul 15, 2019 16:34 | #11666 Most excellent, as usual. Would you like to buy a vowel?
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dpe Senior Member 283 posts Likes: 118 Joined Jan 2017 Location: Wareham More info | Jul 19, 2019 04:14 | #11667 One of the team using flash for the first time in the setup with just a CTO gel Image hosted by forum (989075) © dpe [SHARE LINK] THIS IS A LOW QUALITY PREVIEW. Please log in to see the good quality stuff. Image hosted by forum (989076) © dpe [SHARE LINK] THIS IS A LOW QUALITY PREVIEW. Please log in to see the good quality stuff. UK based photographer specialising in equestrian but also doing things like Prom Photography
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Darkroomimagesby616 Senior Member More info | I don't know about the background of the first one, it's a personal thing i guess, but the horse and woman are great in that light. Well done Photographers are violent people, first they frame you, then they shoot you and after that they hang you on the wall.
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OZS2KCA Senior Member 805 posts Gallery: 448 photos Best ofs: 1 Likes: 2957 Joined Sep 2012 Location: California (central valley) More info | Jul 30, 2019 20:12 | #11669 Godox ad400pro & ad200 Image hosted by forum (991209) © OZS2KCA [SHARE LINK] THIS IS A LOW QUALITY PREVIEW. Please log in to see the good quality stuff. Image hosted by forum (991210) © OZS2KCA [SHARE LINK] THIS IS A LOW QUALITY PREVIEW. Please log in to see the good quality stuff.
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Jul 31, 2019 17:15 | #11670 OZS2KCA wrote in post #18902566 Godox ad400pro & ad200 Hosted photo: posted by OZS2KCA in ./showthread.php?p=18902566&i=i113041336 forum: Flash and Studio Lighting Hosted photo: posted by OZS2KCA in ./showthread.php?p=18902566&i=i50405819 forum: Flash and Studio Lighting About how far away from her was the camera?
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