Approve the Cookies
This website uses cookies to improve your user experience. By using this site, you agree to our use of cookies and our Privacy Policy.
OK
Forums  •   • New posts  •   • RTAT  •   • 'Best of'  •   • Gallery  •   • Gear
Guest
Forums  •   • New posts  •   • RTAT  •   • 'Best of'  •   • Gallery  •   • Gear
Register to forums    Log in

 
FORUMS Cameras, Lenses & Accessories Canon Lenses 
Thread started 22 Jan 2011 (Saturday) 23:18
Search threadPrev/next
sponsored links (only for non-logged)

Trading up, or stepping backwards...

 
Photo_NH
Member
Avatar
33 posts
Joined Dec 2010
Location: NH
     
Jan 22, 2011 23:18 |  #1

I've had my Sigma 10-20mm f/4-5.6 for a few years, and I feel like it's time to step up to another L lens, I'm really looking at the 17-40mm f/4L. I've looked at it a few times, but knew I had a wide angle in my bag, so it was just another purchase. I feel like I should be looking at a longer lens, like a 300mm or 400mm, but I'm looking forward to parting ways with it and getting all full frame lenses to go with my 1D Mk III, even if the vignette looks kind of cool, it's not practical for what I want to shoot.

Sports, landscapes, street, event.

Thank you for the help.


1D Mk III, 7D, 40D, 24-70mm f/2.8L, 70-200mm f/2.8L IS, 50mm f/1.8 II, Sigma 10-20mm f/4-5.6, Tamron 1.4x TC, 430EX Speedlite
"If your pictures aren't good enough, you aren't close enough." - Robert Capa

  
  LOG IN TO REPLY
eb314
Senior Member
314 posts
Joined Nov 2008
     
Jan 23, 2011 00:20 |  #2

You know, the 17-40 really isn't very sharp. So if that's going to be a deal breaker for you, it's something to consider.


  
  LOG IN TO REPLY
KVN ­ Photo
Goldmember
Avatar
1,940 posts
Joined Jun 2010
Location: Jakarta, Indonesia
     
Jan 23, 2011 05:12 |  #3

What about 16-35 II if you can justify the cost, and complete your f/2.8 zoom set up.


X-Pro1 + 18-55 f/2.8-4 OIS + 55-200 f/3.8-4.5 OIS
TS-E 24 f/3.5L II + XF 35 f/1.4 + XF 56 f/1.2
Sony RX100 II + G12
Travel the world!

  
  LOG IN TO REPLY
Photo_NH
THREAD ­ STARTER
Member
Avatar
33 posts
Joined Dec 2010
Location: NH
     
Jan 23, 2011 22:59 |  #4

eb314 wrote in post #11696018 (external link)
You know, the 17-40 really isn't very sharp. So if that's going to be a deal breaker for you, it's something to consider.

But versuses the 10-20? I'd go with the 16-35 II, but I wish it didn't have the 82mm filter. Weak argument, I know, but I like trying to have as much consistency with everything in my bag. How does the original 16-35 compare?


1D Mk III, 7D, 40D, 24-70mm f/2.8L, 70-200mm f/2.8L IS, 50mm f/1.8 II, Sigma 10-20mm f/4-5.6, Tamron 1.4x TC, 430EX Speedlite
"If your pictures aren't good enough, you aren't close enough." - Robert Capa

  
  LOG IN TO REPLY
Mk1Racer
Goldmember
Avatar
1,735 posts
Likes: 9
Joined Mar 2009
Location: Flagtown, NJ
     
Jan 24, 2011 01:18 |  #5

The versatility of being able to use it on your 1D3 and 7D would seem to give the nod to the 17-40 f/4L, but if you can live w/ just using it on your 7D, I think the 17-55 f/2.8 would be a better choice.


7D, BG-E7, BGE2x2 (both FS), 17-55 f/2.8 IS, 17-85 f/4-5.6 IS (FS), 50 f/1.8, 85 f/1.8, 70-200 f/2.8L IS Mk I, 70-300 f/4-5.6L, 550EX, Kenko Pro300 1.4xTC

  
  LOG IN TO REPLY
LowriderS10
Cream of the Crop
Avatar
10,170 posts
Likes: 12
Joined Mar 2008
Location: South Korea / Canada
     
Jan 24, 2011 04:13 |  #6

I kind of did the same thing...went from a Tokina 11-16 to the 17-40L when I bought my 1D3. At first I thought I'd miss the extreme wide, but almost immediately I fell in love with the L. After nearly 1,500 pictures, I am still very happy with it. I'm not sure what eb314 is referring to, my copy (like every other one I have heard of/read about) is ridiculously sharp, especially compared to the Sigma 10-20 (another lens I owned for years and shot with extensively).

I say do it...the versatility of the L alone is worth it (I find myself shooting quite a bit in the 20-40 range, something that was not available to me before).


-=Prints For Sale at PIXELS=- (external link)
-=Facebook=- (external link)
-=Flickr=- (external link)

-=Gear=-

  
  LOG IN TO REPLY
KVN ­ Photo
Goldmember
Avatar
1,940 posts
Joined Jun 2010
Location: Jakarta, Indonesia
     
Jan 24, 2011 17:13 |  #7

Photo_NH wrote in post #11702024 (external link)
But versuses the 10-20? I'd go with the 16-35 II, but I wish it didn't have the 82mm filter. Weak argument, I know, but I like trying to have as much consistency with everything in my bag. How does the original 16-35 compare?

the II is worth the price.


X-Pro1 + 18-55 f/2.8-4 OIS + 55-200 f/3.8-4.5 OIS
TS-E 24 f/3.5L II + XF 35 f/1.4 + XF 56 f/1.2
Sony RX100 II + G12
Travel the world!

  
  LOG IN TO REPLY
LowriderS10
Cream of the Crop
Avatar
10,170 posts
Likes: 12
Joined Mar 2008
Location: South Korea / Canada
     
Jan 24, 2011 17:20 |  #8

KY707 wrote in post #11706757 (external link)
the II is worth the price.

I'm not convinced it's worth more than twice as much as the 17-40L.


-=Prints For Sale at PIXELS=- (external link)
-=Facebook=- (external link)
-=Flickr=- (external link)

-=Gear=-

  
  LOG IN TO REPLY
phreeky
Goldmember
3,515 posts
Likes: 15
Joined Oct 2007
Location: Australia
     
Jan 24, 2011 19:38 |  #9

A Sigma 12-24 would provide you with ultra-wide (on the 7D) and ultra-ultra-wide on 1D, not to mention stupidly-ultra-wide if you get a FF camera :D




  
  LOG IN TO REPLY
05Xrunner
Goldmember, Flipflopper.
Avatar
5,759 posts
Gallery: 52 photos
Likes: 505
Joined Dec 2005
Location: Pittsburgh PA
     
Jan 24, 2011 19:49 as a reply to  @ phreeky's post |  #10

well you can still use your 10-20 on the 1D from 11mm up


My gear
Fuji X-T3, Fringer Pro EF-X, 14 f2.8, 18-55 2.8-4 OIS, 50 f2, 55-200 3.5-4.8 OIS

  
  LOG IN TO REPLY
thomps000
Member
Avatar
115 posts
Joined Nov 2010
     
Jan 24, 2011 19:53 |  #11

Photo_NH wrote in post #11695763 (external link)
I've had my Sigma 10-20mm f/4-5.6 for a few years, and I feel like it's time to step up to another L lens, I'm really looking at the 17-40mm f/4L. I've looked at it a few times, but knew I had a wide angle in my bag, so it was just another purchase. I feel like I should be looking at a longer lens, like a 300mm or 400mm, but I'm looking forward to parting ways with it and getting all full frame lenses to go with my 1D Mk III, even if the vignette looks kind of cool, it's not practical for what I want to shoot.

Sports, landscapes, street, event.

Thank you for the help.

24-105 maybe? On a crop it's a nice compliment to the UWA, and on a FF it's a great range too.


-Patrick

Flickr (external link)

  
  LOG IN TO REPLY
pbelarge
Goldmember
Avatar
2,837 posts
Joined Jun 2010
Location: Westchester County, NY
     
Jan 24, 2011 19:58 |  #12

LowriderS10 wrote in post #11706800 (external link)
I'm not convinced it's worth more than twice as much as the 17-40L.

Have you had the experience of shooting with it?


just a few of my thoughts...
Pierre

  
  LOG IN TO REPLY
LowriderS10
Cream of the Crop
Avatar
10,170 posts
Likes: 12
Joined Mar 2008
Location: South Korea / Canada
     
Jan 24, 2011 20:13 |  #13

pbelarge wrote in post #11707744 (external link)
Have you had the experience of shooting with it?

The 16-35L? No. And, of course, it all depends on WHAT you shoot...if you're going to shoot indoor weddings and concerts, the 16-35 is the winner, no-contest...I like to shoot waterfalls and landscapes and all that stuff, for that the 17-40 is the champion. I almost never use low apertures, but it's much sharper than the I version.


-=Prints For Sale at PIXELS=- (external link)
-=Facebook=- (external link)
-=Flickr=- (external link)

-=Gear=-

  
  LOG IN TO REPLY
LowriderS10
Cream of the Crop
Avatar
10,170 posts
Likes: 12
Joined Mar 2008
Location: South Korea / Canada
     
Jan 24, 2011 20:13 |  #14

05Xrunner wrote in post #11707684 (external link)
well you can still use your 10-20 on the 1D from 11mm up

Are you sure? Doesn't it vignette like crazy? The Tokina 11-16 wasn't vignette free 'till 13.5


-=Prints For Sale at PIXELS=- (external link)
-=Facebook=- (external link)
-=Flickr=- (external link)

-=Gear=-

  
  LOG IN TO REPLY
05Xrunner
Goldmember, Flipflopper.
Avatar
5,759 posts
Gallery: 52 photos
Likes: 505
Joined Dec 2005
Location: Pittsburgh PA
     
Jan 24, 2011 21:10 |  #15

LowriderS10 wrote in post #11707862 (external link)
Are you sure? Doesn't it vignette like crazy? The Tokina 11-16 wasn't vignette free 'till 13.5

nope..I had a 10-20 back in day with my 1DII and it worked fine for me from 11-20..you can use it at 10 without the hood and only get a little dark in the corners but not horrible.


My gear
Fuji X-T3, Fringer Pro EF-X, 14 f2.8, 18-55 2.8-4 OIS, 50 f2, 55-200 3.5-4.8 OIS

  
  LOG IN TO REPLY
sponsored links (only for non-logged)

2,787 views & 0 likes for this thread, 12 members have posted to it.
Trading up, or stepping backwards...
FORUMS Cameras, Lenses & Accessories Canon Lenses 
AAA
x 1600
y 1600

Jump to forum...   •  Rules   •  Forums   •  New posts   •  RTAT   •  'Best of'   •  Gallery   •  Gear   •  Reviews   •  Member list   •  Polls   •  Image rules   •  Search   •  Password reset   •  Home

Not a member yet?
Register to forums
Registered members may log in to forums and access all the features: full search, image upload, follow forums, own gear list and ratings, likes, more forums, private messaging, thread follow, notifications, own gallery, all settings, view hosted photos, own reviews, see more and do more... and all is free. Don't be a stranger - register now and start posting!


COOKIES DISCLAIMER: This website uses cookies to improve your user experience. By using this site, you agree to our use of cookies and to our privacy policy.
Privacy policy and cookie usage info.


POWERED BY AMASS forum software 2.58forum software
version 2.58 /
code and design
by Pekka Saarinen ©
for photography-on-the.net

Latest registered member is ANebinger
1025 guests, 162 members online
Simultaneous users record so far is 15,144, that happened on Nov 22, 2018

Photography-on-the.net Digital Photography Forums is the website for photographers and all who love great photos, camera and post processing techniques, gear talk, discussion and sharing. Professionals, hobbyists, newbies and those who don't even own a camera -- all are welcome regardless of skill, favourite brand, gear, gender or age. Registering and usage is free.